In May 1985, a group of activists in Western Massachusetts opposed to the interventionist U.S. foreign policy of the Reagan era formed a construction brigade to assist with basic human needs and express solidarity with the people of Central America. Modeled on the Venceremos Brigade, Construyamos Juntos, Building Peace of Nicaragua, raised over $20,000 for construction supplies in addition to funds for individual travel. Between January and March 1986, the 17 activists joined a smaller brigade from West Virginia in constructing the Carlos Armin Gonzales elementary school in San Pedro de Lovago. During their first month in Nicaragua, they witnessed a Contra assault on the town that left one assailant dead and two residents of the town wounded.

This exhibit includes 55 mounted images and 99 35mm slides taken during the brigade’s time in Nicaragua, documenting the brigade’s construction work and providing a valuable visual record of life in Nicaragua during the Contra war. Used in public talks about Contruyamos Juntos, the collection includes exhibit labels that explain the purpose and activity of the brigade, the history of Nicaragua, and the Contra attack in January 1986.

Janina Smiertka, 1934

Raised in a Polish American family from Greenfield, Mass., Janina Smiertka Davenport was the epitome of a life-long learner. After graduating from Greenfield High School in 1933, Davenport received degrees from the Pratt Institute in Food Management and from the Franklin County Public School for Nurses (1937). In 1938, she began work as a nurse in the U.S. Navy, receiving two special commendations for meritorious service during the Second World War. She continued her formal and informal education later in life, receiving degrees from Arizona State University in 1958 and UMass Amherst in Russian and Eastern European Studies (1982). Davenport died in Greenfield in March 2002.

The Davenport Papers contain a thick sheaf of letters and documents pertaining to her Navy service before and during World War II, along with assorted biographical and genealogical data, materials collected during educational trips to Poland and elsewhere, and approximately one linear foot of family photographs and photo albums.

Joan of Seabrook

Born and raised in France, the photojournalist Lionel Delevingne studied education at l’Ecole Normale in Paris, but settled permanently in the United States in 1975. Based at first in Northampton, Mass., he became a prolific photographer of American social movements while working for the Valley Advocate and other publications, covering the early years of the Clamshell Alliance and the antinuclear movement in considerable depth. His work has been exhibited frequently and published widely in the mainstream and alternative press, including the New York Times, Le Figaro Magazine, Die Zeit, Newsweek, Washington Post Magazine, Mother Jones, and Vanity Fair.

The Delevingne collection includes remarkable visual documentation of the antinuclear movement of the 1970s and beyond, including some of the its most iconic images. Beginning with coverage of the Seabrook occupation, Delevingne covered the movement as it spread throughout the northeastern U.S. and internationally. The collection includes exhibition prints, prints for publication, and digitized images ranging in date from the mid-1970s through 1990s. Copyright in the images has been retained by Delevingne.

Maurice A. Donahue was elected to the Massachusetts House of Representatives in 1948 as part of its first Democratic majority. In 1950, he was elected to the Massachusetts Senate, became Senate Majority Leader in 1958, and in 1964, became Senate President, a position he held until 1971 when he took the position of Professor of Political Science and Director of the Institute for Governmental Services at the University of Massachusetts. Legislation he sponsored while in the Senate established the Willis-Harrington Commission on Education, the University of Massachusetts Boston campus and Medical School, state scholarships for needy students, commissions to improve vocational education, study problems of urban school systems, and extend educational facilities in Massachusetts.

Correspondence, speeches, press releases, appointment books, constituent courtesy files, memorabilia, scrapbooks of clippings, audio recordings of radio talks and speeches, and photographs pertaining to Donahue’s activities and functions as state legislator of Massachusetts.

Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

The collection consists of photographs of the town of Enfield and its inhabitants from ca. 1916 until the late 1930s, just before the town was flooded in the making of the Quabbin Reservoir.

Nina, Smoky, Chuck, Janis (Smoky and Nina on bikes)

A wave of experimentation in communal living in New England reached a peak in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pastures in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980.

Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina’s father, with a medium format camera using color transparency film.

Foresty and lumbering have been substantial sectors of the Massachusetts economy for more than 300 years. This collection includes photographs of forests throughout New England and New York, lumbering and related occupations, tools of forestry, and distinguished foresters. Together these images capture the history and traditions of forestry and lumbering in Massachusetts from mill work to Christmas trees.

Renaissance Community, ca.1974

In the early 1970s, the documentary filmmaker Bruce Geisler dropped out of Pomona College one semester short of graduation, drove across country, and joined the Brotherhood of the Spirit commune, then the largest commune in the eastern United States. During his four years living with the Brotherhood, later renamed the Renaissance Community, Geisler learned the craft of filmmaking, before returning west to earn an MFA at the film school of the University of Southern California. Geisler has received a number of awards as a screenwriter and filmmaker including the Grand Prize for Best Screenplay from Worldfest Houston and the Dominique Dunne Memorial Prize for Filmmaking, and, in 2007, he released his feature-length documentary, Free Spirits, about the Brotherhood of the Spirit/Renaissance Community and its ill-fated founder, Michael Metelica Rapunzel. Geisler is currently a Senior Lecturer in the UMass Amherst Department of Communication.

A collection collection documenting everyday life in the commune and performances by the commune band (Spirit in Flesh and Rapunzel), the Geisler collection was assembled largely during the making of Free Spirits. In addition to many hours of raw and edited footage taken by members of the Brotherhood of the Spirit and Renaissance Community, the collection includes approximately 1.5 feet each of ephemera and newspaper clippings relating to the commune.