Frederick Painter Jeffrey was born in the coal mining town of Trauger, Pennsylvania in February 1911. Jeffrey received a BA in poultry husbandry at Pennsylvania State College in 1932 and then an MS in poultry genetics at Massachusetts State College in 1934. Jeffrey became a professor of Poultry Science at Rutgers University from 1935-1944; after leaving Rutgers, Jeffrey became a professor in the Poultry Science Department at the University of Massachusetts, a department he later headed. In 1954 he became the Dean of the Stockbridge School of Agriculture, a position he held until his retirement in 1971. Frederick Painter Jeffrey died in September 1997.

The Frederick Painter Jeffrey Papers include materials about his work with Bantam chickens and document his tenure at the University of Massachusetts Amherst. There are also limited materials related to his family and schooling.

Chet Whitaker, Bill Munson, Chick Lewis (football players)

Known by his peers for his wit, “Gerry” Jones was an active presence on campus as Secretary and Treasurer for the class of 1903, and as a member of the QTV Fraternity, the staff of the Index, and the class football and baseball teams.

The papers of Gerry Jones contain a mix of ephemera dating from his days as one of the most active members of the MAC Class of 1903. Beginning with a fine record book documenting meetings of the class from their freshman year through graduation, the collection includes menus, programs, and dance cards related to class events. Of particular interest is a menu from the first football banquet in 1902, celebrating one of the most successful teams of the MAC era, going 8-1 during the fall 1901.

Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones’s choreography during the 1970s and 1980s. A copy of Jones’s original essay, “Costuming for Three Styles of Dance,” (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.

A poet, expert on the works of Hemingway, Robert Francis, and D.H. Lawrence, and a 1953 graduate of the University, Donald Junkins directed the Master of Fine Arts in English program from 1966. Junkins juggled his career as a poet with his work at the University, focusing his teaching energy on literature, not creative writing, to save his creative resources. Before turning his energies to poetry, Junkins studied theology at Boston University School of Theology. While a student, Junkins met poet Robert Francis, took courses with Robert Lowell and, discovering his love of poetry through these contacts, Junkins life path was forever changed. After leaving Boston University, Junkins taught creative writing at Chico State University before coming to the University.

The Donald Junkins Papers document some of his creative output while at the University through a collection of literary journals containing his poetry, drafts of poems, published and unpublished with notes and galley proofs of his poetry collection And Sandpipers She Said, published by The University of Massachusetts Press in 1970. Two mimeographed publications of student poems represent his teaching work at Chico State University.

Sidney Kaplan, May 1972

An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942. After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the study of African American history at a time when few white scholars showed interest. Joining the English Department at UMass in 1946, Kaplan’s influence was widely felt at UMass Amherst and in the local community: he was among the founders of the Department of Afro-American Studies, a founder of the UMass Press, a founder and editor of the Massachusetts Review, and he was the editor of Leonard Baskin’s Gehenna Press. Over more than thirty years at UMass, he worked on diverse projects in history, literature, and the arts, often in partnership with his wife Emma Nogrady, a librarian at Smith College whom he married in 1933, ranging from studies of Poe and Melville to a biographical dictionary of African Americans and a study of Shays’ Rebellion. In 1973, they were co-authors of the first comprehensive study of depictions of African Americans in the visual arts, The Black Presence in the Era of the American Revolution (based on an exhibition planned for the National Portrait Gallery), and in 1991, the UMass Press published a collection of Sidney’s essays, American Studies in Black and White. A Fulbright lecturer in Greece and Yugoslavia and exchange Professor at the University of Kent, Kaplan was the recipient of the Bancroft Award from the Association for the Study of Negro Life and History for best article of the year in the Journal of Negro History, and he was awarded the UMass Amherst Chancellor’s Medal in 1979, one year after his retirement. Sidney Kaplan died in 1993 at age 80 and was followed by Emma in 2010.

The Kaplan Papers document a long career devoted to the study of African American history and life. The extensive correspondence, research notes, and drafts of articles and other materials offer important insight into the growth of African American studies from the 1950s through 1970s as well as the growth of UMass Amherst into a major research university.

Bears

Born in Syracuse, New York, in 1927, David C. Knapp studied at Syracuse University (BA, 1947) and the University of Chicago (M.A., 1948; PhD, 1953)., before joining the faculty in government at the University of New Hampshire. Recognized as an able administrator from early in his career, Knapp was appointed assistant to the university president and then Dean of the College of Liberal Arts (1961-1962). Leaving UNH in 1963, he served successively as associate director of the Study of American Colleges of Agriculture, director of the Institute of College and University Administrators of the American Council on Education, and Dean of the New York State College of Human Ecology at Cornell University (1968-1974) before being elected president of the University of Massachusetts in 1978. He retired in 1990.

The Knapp Papers consist primarily of materials relating to efforts in the early 1990s to designate Hokkaido and Massachusetts as sister states, to celebrate the long relationship Between UMass and the University of Hokkaido, and to commemorate the legacy of Benjamin Smith Lyman. In addition to correspondence with the Massachusetts Hokkaido Society and Hokkaido University, the collection includes memorabilia associated with Knapp’s connections with Japan.

Marshall O. Lanphear

Marshall O. Lanphear spent forty-five years at Massachusetts Agricultural College, earning his B.A in 1918 and a Master’s in 1926, after which he taught agronomy and served as college registrar. After service as an infantryman at the end of the first World War, Lanphear worked briefly as an instructor at the Mount Hermon School before returning to MAC for graduate study. Known to his colleagues as “Whitey,” he taught courses on farm management, dairying, and pomology and on his retirement, Lanphear was awarded an honorary doctorate of humane letters. He died on April 24, 1993 at the age of 98.

The Marshall O. Lanphear Papers include a number of his published articles, correspondence regarding his honorary degree, speeches, lecture notes and personal items including illustrated Christmas cards from 1915, his 1917 driver’s license, and correspondence related to his retirement. There is also a folder of business records from the college farm.

A talented musician and member of the UMass Amherst faculty in the Department of Germanic Languages and Literatures, Henry A. Lea was born Heinz Liachowsky in Berlin in 1920. With the rise of the Nazi Party, the Jewish Liachowskys left their home for the United States, settling in Philadelphia and simplifying the family name to Lea. Henry studied French as an undergraduate at the University of Pennsylvania (1942) but shortly after graduation, he began his military service. After training in Alabama and in the Army Specialized Training Program (ASTP) program at Ohio State, he was assinged to duty interrogating prisoners of war with the G2 (intelligence) section of the First U.S. Army; he later served as a translator at the Nuremberg War Crimes trials in 1947-1948 and for the military government in Frankfurt (1948-1949). Lea returned to his alma mater for a masters degree in German (1951), and accepted a position teaching at UMass in the following year. In 1962, he received a doctorate for a dissertation under Adolf Klarmann on the Austrian expatriate writer Franz Werfel. During his tenure at the university he published extensively on Werfel, Wolfgang Hildesheimer, and Gustav Mahler, including a book on the composer and conductor entitled Gustav Mahler: Man on the Margin. Lea remained at UMass until his retirement in 1985.

The Lea Papers consist chiefly of two types of material: research notes and correspondence. The nearly 200 letters written by Henry A. Lea during his military service in the Second World War provide an excellent account, albeit a self-censored account, of his experience from training through deployment and return. Lea’s research notes include notebooks on Werfel and files on Mahler and Hildesheimer. Other items include a pre-war album containing commercial photographs collected during a vacation and a baby book from an American family living in occupation-era Germany.

Howard Miles Lebow was an accomplished concert pianist and composer who was first celebrated during his tenure as a student at Julliard School of Music where he earned both his BA and MFA. While at Julliard, Lebow studied under Edward Steuermann, a pupil of composer Ferruccio Busoni, and was acclaimed for his performances of Busoni’s works. Lebow exceled as a pianist, performing in fifteen countries across Europe and the Americas. Appointed to the post of Assistant Professor of Piano at the University of Massachusetts in September 1965, Lebow lectured and performed until his untimely death in 1968 at age 32. Although known for his interpretations of contemporary music, Lebow was equally at home in the entire piano literature; one of his last and most memorable recitals was devoted to the music of Franz Liszt, another artist whom he had studied and whom he greatly admired. After his death, the Howard M. Lebow Scholarship Fund was established (1968).

The Lebow Collection numbers over 5,000 items and is comprised primarily of sheet music and a small sampling of audio recordings. The collection includes many unusual early editions, a reflection of Lebow’s taste and discrimination as a musician and enthusiastic collector.

John W. Lederle

John Lederle played a large role in shaping the Amherst campus as it looks today, transforming UMass Amherst into a nationally respected research university and “great public center for excellence in higher education.” Born in Royal Oak, Michigan, Lederle received his Ph.D. from the University of Michigan in 1942. Admitted to the Michigan Bar in 1936, he worked with a Detroit law firm from 1936 to 1940 before joining the political science department at Brown University from 1941 to 1944. He returned to the University of Michigan in 1944, filling a number of positions until 1960, when the University of Massachusetts elected him President. Under Lederle’s leadership, the Amherst campus enjoyed its greatest period of growth. From 1960 to 1970, student enrollment more than tripled and faculty salaries nearly doubled. The academic program expanded greatly, particularly at the graduate level, and under his watch, the university instituted an academic press, a public radio station, and collaborative arrangements between the local colleges. The University system also evolved in the Lederle years, with the establishment of the Boston campus in 1964 and the medical school in Worcester in 1962.

The Lederle Papers include professional correspondence, administrative records, subject files, committee notes, reports, and clippings; Extra-University records that document Lederle’s involvement and interactions with governmental and non-governmental organizations at the state, regional, and national levels; personal correspondence, speeches, bibliographies of his writings, biographical information, a transcript of an oral history describing his administration, and materials relating to his professional activities that followed his presidency; and a series of confidential records.