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	<title>UMarmot &#187; UMass faculty</title>
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	<description>University of Massachusetts Amherst Libraries</description>
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		<title>Diamond, Arlyn, 1941-</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=5835</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=5835#comments</comments>
		<pubDate>Mon, 10 Dec 2012 13:20:49 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[Literature & language]]></category>
		<category><![CDATA[UMass (1947- )]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[Women & feminism]]></category>
		<category><![CDATA[arx]]></category>
		<category><![CDATA[D]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[Womens Studies]]></category>

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		<description><![CDATA[As a member of the faculty in the English Department at UMass Amherst in 1972, Arlyn Diamond became one of the founding members of the Program in Women&#8217;s Studies. A scholar of medieval European literature, Diamond received her doctorate from Berkeley in 1970 and became an early proponent of feminist criticism. Among other works, she [...]]]></description>
			<content:encoded><![CDATA[<p>As a member of the faculty in the English Department at UMass Amherst in 1972, Arlyn Diamond became one of the founding members of the Program in Women&#8217;s Studies.  A scholar of medieval European literature, Diamond received her doctorate from Berkeley in 1970 and became an early proponent of feminist criticism.  Among other works, she was author of <em>Authority of Experience: Essays in Feminist Criticism</em> (1988) and editor (with Lee Edwards) of <em>American Voices, American Women</em> (1973).  Diamond retired from the University in 2004.</p>
<p>This small collection consists primarily of notes for research and teaching. Of particular interest is a series of women’s studies bibliographies, readings for the Five College Women’s Studies Faculty Seminar (Autumn 1977), graduate level feminist theory courses, and notes related to the history of women’s studies. Also included among the papers are financial records from the 1977 Five College Women’s Studies Faculty Seminar.</p>
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		<title>d&#8217;Errico, Peter</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=5343</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=5343#comments</comments>
		<pubDate>Thu, 20 Sep 2012 17:11:44 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[Massachusetts]]></category>
		<category><![CDATA[Prison issues]]></category>
		<category><![CDATA[Social justice]]></category>
		<category><![CDATA[UMass (1947- )]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[arx]]></category>
		<category><![CDATA[D]]></category>
		<category><![CDATA[Legal Studies]]></category>

		<guid isPermaLink="false">http://www.library.umass.edu/spcoll/umarmot/?p=5343</guid>
		<description><![CDATA[With a law degree from Yale in hand in 1968, Peter d&#8217;Errico began work as a staff attorney with Dinebeiina Nahiilna Be Agaditahe Navajo Legal Services in Shiprock, Arizona, representing American Indian interests in the US courts. Stemming from his frustrations with a stilted legal system, however, he evolved into an &#8220;anti-lawyer,&#8221; and in 1970 [...]]]></description>
			<content:encoded><![CDATA[<p>With a law degree from Yale in hand in 1968, Peter d&#8217;Errico began work as a staff attorney with Dinebeiina Nahiilna Be Agaditahe Navajo Legal Services in Shiprock, Arizona, representing American Indian interests in the US courts.  Stemming from his frustrations with a stilted legal system, however, he evolved into an &#8220;anti-lawyer,&#8221; and in 1970 returned to academia.  Joining the faculty at UMass, d&#8217;Errico focused his research and writing on the legal issues affecting indigenous peoples and he regularly taught courses on Indian law and the role of the law in imposing state systems on non-state societies.  His impact  was instrumental in establishing the Department of Legal Studies.  Both before and after his retirment in 2002, d&#8217;Errico also remained active as a practitioner in Indian law. </p>
<p>The d&#8217;Errico collection contains a significant record of d&#8217;Errico&#8217;s high profile legal work in Indian law, including his work with Western Shoshone land rights and on the case Randall Trapp, et al. v. Commissioner DuBois, et al.  In Trapp, a long-running, but ultimately successful First Amendement case, he and Robert Doyle represented prisoners in the Massachusetts Department of Corrections seeking to establish a sweat lodge.</p>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Rubin, Emanuel, 1935-</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=5137</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=5137#comments</comments>
		<pubDate>Mon, 04 Jun 2012 18:20:26 +0000</pubDate>
		<dc:creator>dkovacs</dc:creator>
				<category><![CDATA[Performing arts]]></category>
		<category><![CDATA[UMass faculty]]></category>

		<guid isPermaLink="false">http://www.library.umass.edu/spcoll/umarmot/?p=5137</guid>
		<description><![CDATA[Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and [...]]]></description>
			<content:encoded><![CDATA[<p>Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008.  From 1986-1987 he served as Head of the Department of Music and Dance.  In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member.  He actively conducted and composed works for solo performers and ensembles.  Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work.  He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh.  Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University.  His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.</p>
<p>The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research.  The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.</p>
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		<title>Tillis, Frederick, 1930-</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=5128</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=5128#comments</comments>
		<pubDate>Thu, 24 May 2012 17:46:30 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[African American]]></category>
		<category><![CDATA[Performing arts]]></category>
		<category><![CDATA[UMass administration]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[arx]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[T]]></category>

		<guid isPermaLink="false">http://www.library.umass.edu/spcoll/umarmot/?p=5128</guid>
		<description><![CDATA[A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the [...]]]></description>
			<content:encoded><![CDATA[<p> A composer, performer, poet, educator, and arts administrator,  Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens.  A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa.  As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references.  After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory.  Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater,  Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.</p>
<p>The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis&#8217;s work as a composer.  Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis&#8217;s musical vision from the 1970s into the new millennium.</p>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>WFCR (Radio station : Amherst, Mass.)</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=5107</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=5107#comments</comments>
		<pubDate>Tue, 01 May 2012 17:09:47 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[Digital]]></category>
		<category><![CDATA[Literature & language]]></category>
		<category><![CDATA[Massachusetts (West)]]></category>
		<category><![CDATA[Performing arts]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Political activism]]></category>
		<category><![CDATA[Social justice]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[Vietnam War]]></category>
		<category><![CDATA[Women & feminism]]></category>
		<category><![CDATA[mss]]></category>
		<category><![CDATA[W]]></category>

		<guid isPermaLink="false">http://www.library.umass.edu/spcoll/umarmot/?p=5107</guid>
		<description><![CDATA[The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment. The WFCR Collection contains nearly 4,500 [...]]]></description>
			<content:encoded><![CDATA[<p>The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment.</p>
<p>The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children&#8217;s programming, news and current events, scholarly lectures, classical music, and jazz.</p>
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			<wfw:commentRss>http://www.library.umass.edu/spcoll/umarmot/?feed=rss2&amp;p=5107</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Rubin, Emanuel, 1935-</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=4989</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=4989#comments</comments>
		<pubDate>Tue, 20 Mar 2012 17:24:10 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[Performing arts]]></category>
		<category><![CDATA[Photographs]]></category>
		<category><![CDATA[UMass (1947- )]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[arx]]></category>
		<category><![CDATA[Judaic]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[R]]></category>

		<guid isPermaLink="false">http://www.library.umass.edu/spcoll/umarmot/?p=4989</guid>
		<description><![CDATA[Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and [...]]]></description>
			<content:encoded><![CDATA[<p>Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008.  From 1986-1987 he served as Head of the Department of Music and Dance.  In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member.  He actively conducted and composed works for solo performers and ensembles.  Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work.  He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh.  Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University.  His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation. </p>
<p>The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research.  The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.library.umass.edu/spcoll/umarmot/?feed=rss2&amp;p=4989</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Donohue, Joseph W., 1935-</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=4725</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=4725#comments</comments>
		<pubDate>Thu, 29 Dec 2011 20:47:41 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[Performing arts]]></category>
		<category><![CDATA[UMass (1947- )]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[D]]></category>
		<category><![CDATA[mss]]></category>

		<guid isPermaLink="false">http://www.library.umass.edu/spcoll/umarmot/?p=4725</guid>
		<description><![CDATA[An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he [...]]]></description>
			<content:encoded><![CDATA[<p>An historian of modern British drama, Joseph Donohue was a longtime member of the Department of English at UMass Amherst. A native of Brookline, Mass., Donohue was educated at Johns Hopkins and Georgetown before receiving his doctorate at Princeton (1965), and he studied directing at both Columbia and Yale. After five years at Princeton, he joined the faculty at UMass in 1971, where he remained for thirty four years. The author of numerous articles and books on the British and Irish theatre, Donohue was author &#8212; among many other works &#8212; of <em>Dramatic Character in the English Romantic Age</em> (1970) and <em>Theatre in the Age of Kean</em> (1975) and editor of the <em>London Stage, 1800-1900</em> Project. A past president of the American Society for Theatre Research, he was also a fixture in local performances, including the Valley Light Opera Company. Upon retirement from the department in 2005, Donohue was named Professor Emeritus.</p>
<p>Consisting of hundreds of theatrical programs and other ephemera, the Donohue collection documents a lifetime of avid theater-going. The astonishing array of playwrights and plays represented in the collection, and the diversity of theatres (mostly in New York and London), provides a nearly exhaustively chronicle of Donohue’s theatrical habits from his days as a graduate student to nearly the present.</p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thorne, Curtis B.</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=4652</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=4652#comments</comments>
		<pubDate>Wed, 05 Oct 2011 21:00:11 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[Peace]]></category>
		<category><![CDATA[Protistology]]></category>
		<category><![CDATA[UMass (1947- )]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[arx]]></category>
		<category><![CDATA[microbiology]]></category>
		<category><![CDATA[T]]></category>

		<guid isPermaLink="false">http://www.library.umass.edu/spcoll/umarmot/?p=4652</guid>
		<description><![CDATA[Before joining the faculty of the microbial genetics department at UMass Amherst in 1966, Curtis B. Thorne worked as the branch chief at the biolabs in Fort Detrick from 1948-1961 and 1963-1966 where his research focused on Bacillus anthracis, the microbe that causes anthrax. During his tenure at UMass, Curtis applied for and received numerous [...]]]></description>
			<content:encoded><![CDATA[<p>Before joining the faculty of the microbial genetics department at UMass Amherst in 1966, Curtis B. Thorne worked as the branch chief at the biolabs in Fort Detrick from 1948-1961 and 1963-1966 where his research focused on <em>Bacillus anthracis</em>, the microbe that causes anthrax. During his tenure at UMass, Curtis applied for and received numerous grants for his continued research on the bacterium, including funding from the U.S. Department of Defense. While his research was centered on the genetics and physiology of the anthrax bacillus, with an emphasis on developing a vaccine, it garnered the unwanted attention of local peace activists in 1989. Protestors, who feared Thorne’s research was linked to germ warfare, picketed outside of his laboratory and demanded that the university reject Pentagon funding. Even though the university and the town of Amherst refused to limit Thorne’s research, he decided not to seek an extension of his contract with the Army in 1990, a decision he regretted having to make. Four years later, Thorne retired from UMass and was honored by his former students with a symposium and dinner.  Thorne died in 1988 at the age of 86.</p>
<p>Thorne’s papers consist of lab notebooks and materials relating to the classes he taught at UMass Amherst. Many of the notebooks are related to his research on <em>Bacillus anthracis</em> as well as other microbes including <em>Bacills thuringiensis</em>. His papers do not contain any information related to the funding of his research or the controversy that later surrounded it.</p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Avakian, Arlene Voski</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=4564</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=4564#comments</comments>
		<pubDate>Fri, 22 Jul 2011 16:07:00 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[Antiracism]]></category>
		<category><![CDATA[Intentional communities]]></category>
		<category><![CDATA[Massachusetts (West)]]></category>
		<category><![CDATA[Oral history]]></category>
		<category><![CDATA[Social justice]]></category>
		<category><![CDATA[UMass (1947- )]]></category>
		<category><![CDATA[UMass alumni]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[Women & feminism]]></category>
		<category><![CDATA[A]]></category>
		<category><![CDATA[arx]]></category>
		<category><![CDATA[Womens Studies]]></category>

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		<description><![CDATA[Arlene Avakian arrived at UMass in 1972 as a graduate student working on the social history of American women, but quickly became a key figure in the creation of the university&#8217;s new program in Women&#8217;s Studies. As she completed her MA in History (1975) and EdD (1985), she helped in the early organization of the [...]]]></description>
			<content:encoded><![CDATA[<p>Arlene Avakian arrived at UMass in 1972 as a graduate student working on the social history of American women, but quickly became a key figure in the creation of the university&#8217;s new program in Women&#8217;s Studies.  As she completed her MA in History (1975) and EdD (1985), she helped in the early organization of the program, later joining the faculty as professor and program director.  Through her research and teaching, she contributed to an engaging departmental culture in which the intersection of race, class, gender, ethnicity, and sexuality were placed at the center, building the program over the course of 35 years into the nationally-recognized Department of Women, Gender, and Sexuality Studies. Avakian has written and taught on topics ranging from the lives and experiences of Armenian American and African American women to culinary history and the construction of whiteness.  She retired in May 2011.</p>
<p>Documenting the growth and development of Women&#8217;s Studies at UMass Amherst, the collection includes valuable material on the creation of the department (and Women&#8217;s Studies more generally), second- and third-wave feminism, and Avakian&#8217;s teaching and research.  The collection includes a range of correspondence, memoranda, notes, and drafts of articles, along with several dozen oral historical interviews with Armenian American women.  Also noteworthy is the extensive documentation of ABODES, the Amherst Based Organization to Develop Equitable Shelter, which established the Pomeroy Lane Cooperative Housing Community in South Amherst in 1994. </p>
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		<title>Kaplan, Sidney, 1913-</title>
		<link>http://www.library.umass.edu/spcoll/umarmot/?p=4357</link>
		<comments>http://www.library.umass.edu/spcoll/umarmot/?p=4357#comments</comments>
		<pubDate>Fri, 20 May 2011 11:50:38 +0000</pubDate>
		<dc:creator>rscox</dc:creator>
				<category><![CDATA[African American]]></category>
		<category><![CDATA[Antiracism]]></category>
		<category><![CDATA[Civil rights]]></category>
		<category><![CDATA[UMass faculty]]></category>
		<category><![CDATA[Afro-American]]></category>
		<category><![CDATA[arx]]></category>
		<category><![CDATA[English]]></category>
		<category><![CDATA[Faculty]]></category>
		<category><![CDATA[K]]></category>
		<category><![CDATA[UMass]]></category>

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		<description><![CDATA[An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942. After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the [...]]]></description>
			<content:encoded><![CDATA[<p>An eminent scholar of African American history and activist, Sidney Kaplan was raised in New York City and graduated from City College in 1942.  After wartime service as a Lieutenant in the Army, Kaplan returned to his education, completing an MA in history from Boston University (1948) and PhD at Harvard (1960), taking up the study of African American history at a time when few white scholars showed interest.  Joining the English Department at UMass in 1946, Kaplan&#8217;s influence was widely felt at UMass Amherst and in the local community: he was among the founders of the Department of Afro-American Studies, a founder of the UMass Press, a founder and editor of the <em>Massachusetts Review</em>, and he was the editor of Leonard Baskin&#8217;s Gehenna Press.  Over more than thirty years at UMass, he worked on diverse projects in history, literature, and the arts, often in partnership with his wife Emma Nogrady, a librarian at Smith College whom he married in 1933, ranging from studies of Poe and Melville to a biographical dictionary of African Americans and a study of Shays&#8217; Rebellion.  In 1973, they were co-authors of the first comprehensive study of depictions of African Americans in the visual arts, <em>The Black Presence in the Era of the American Revolution</em> (based on an exhibition planned for the National Portrait Gallery), and in 1991, the UMass Press published a collection of Sidney&#8217;s essays, <em>American Studies in Black and White</em>.  A Fulbright lecturer in Greece and Yugoslavia and exchange Professor at the University of Kent, Kaplan was the recipient of the Bancroft Award from the Association for the Study of Negro Life and History for best article of the year in the <em>Journal of Negro History</em>, and he was awarded the UMass Amherst Chancellor&#8217;s Medal in 1979, one year after his retirement.  Sidney Kaplan died in 1993 at age 80 and was followed by Emma in 2010.</p>
<p>The Kaplan Papers document a long career devoted to the study of African American history and life.  The extensive correspondence, research notes, and drafts of articles and other materials offer important insight into the growth of African American studies from the 1950s through 1970s as well as the growth of UMass Amherst into a major research university.</p>
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