UMarmot(SCUA)

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Meditation on Blueberry Hill, 1971
Photo by Gary Cohen

Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region.

One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.

Trichodina pediculus

The first professor of Natural History at the Massachusetts Agricultural College, Henry James Clark, had one of the briefest and most tragic tenures of any member of the faculty during the nineteenth century. Having studied under Asa Gray and Louis Agassiz at Harvard, Clark became an expert microscopist and student of the structure and development of flagellate protozoans and sponges. Barely a year after joining the faculty at Massachusetts Agricultural College at its first professor of Natural History, Clark died of tuberculosis on July 1, 1873.

A small remnant of a brief, but important career in the natural sciences, the Henry James Clark Papers consist largely of obituary notices and a fraction of his published works. The three manuscript items include two letters from Clark’s widow to his obituarist and fellow naturalist, Alpheus Hyatt (one including some minor personal memories), and a contract to build a house on Pleasant Street in Amherst.

Siegfried Ebert in his studio, ca.1965

The graphic artist Siegfried Ebert had an important influence on the visual language of East German television and animated motion pictures. Born in Eibau on July 20, 1926, Ebert was drafted into the Luftwaffe in 1943, but shortly after going on active duty, he was severely wounded and taken prisoner by the English. After his release, Ebert shifted course in life, studying commercial art at the Kunstgewerbeschule Zittau and film at the Hochschule für bildende und angewandte Kunst in Wiessensee. He became one of the earliest artists to specialize in the new medium of television, working for Deutscher Fernsehfunk, doing graphic design and animation. A member of the Verband Bildender Künstler Deutschlands, he later worked on animated films for the DEFA studios. Suffering from ill health for the last several years of his life, Ebert suffered a heart attack in November 1985, and died at home shortly after his sixtieth birthday in 1986.

The Ebert Collection includes a small assortment of correspondence, awards, and biographical materials, along with examples of his graphic work for television and film. Among other unusual items in the collection are attractive handbills (small posters) for Progress and DEFA films, some original sketches, photographs and mockups of his artwork for television, and an assortment of personal and professional ephemera.

Romanian-born Morris Golden earned his doctorate in English from New York University in 1953. Golden authored six books of literary criticism on 18th and 19th century writers, including Henry Fielding, Samuel Richardson, and Charles Dickens. Appointed Associate Professor of English at UMass Amherst in 1962 and promoted to full professor in 1965, Golden taught at UMass for 24 years. Golden retired from UMass in 1986, the year he was a Guggenheim Fellow, but he continued to teach literature at the Amherst Senior Center until his death in 1994.

The Golden Papers are a collection of Golden’s writings as a student at NYU, a draft of his dissertation and other manuscripts as well as many of his publications. Also included in the collection are grade books, professional correspondence, and extensive notes for research and teaching in the area of English and world literature.

Charles Hutchins Hapgood (1904-1982) was working toward a doctorate in French history at Harvard when the Great Depression derailed his plans. After a succession of jobs and wartime service, however, Hapgood returned to the academy, teaching history at Springfield College and Keene State for over three decades. He is best remembered as an advocate of several scientifically heterodox ideas, arguing that the earth’s outer crust shifts on geological time scales, displacing continents, and that the earth’s rotational axis has shifted numerous times in geological history. A long time friend and supporter of the medium Elwood Babbitt, he was author of several books, including The Earth’s Shifting Crust (1958), Maps of the Ancient Sea Kings (1966), The Path of the Pole (1970), and Voices of Spirit : Through the Psychic Experience of Elwood Babbitt (1975). Hapgood died in Fitchburg, Mass., on Dec. 21, 1982, after being struck by an automobile.

The Hapgood Papers contain a small grouping of correspondence and writings that offer a glimpse into some of Charles Hapgood’s late-career interests. Although the correspondence is relatively slight, relating primarily to publications in the last two or three years of his life, the collection is a rich resource for the lectures and writings of Elwood Babbitt.

After receiving her B.S. from Massachusetts State College in 1941 and M.S. in microbiology from UMass in 1957, Iona Mae Reynolds embarked upon a teaching career of over 30 years in the Stockbridge School of Agriculture, later serving as the school’s Assistant Director. In 1985 Reynolds was awarded the Chancellor’s Medal for her service to the University as a faculty member and her many years on the associate alumni Board of Directors.

The Reynolds Papers include reunion materials, photographs, and writings, as well as a small collection of UMass memorabilia.

Born in Chelsea, Mass., in 1874, and a long-time resident of Somerville, Dana F. Ward enjoyed a prominent career in the fisheries industry in Massachusetts. Entering the wholesale fish business in 1900 when he organized the firm of Whitman, Ward, and Lee, Ward became Director and Advertising Manager of the Boston Fish Market Corporation (builder and operator of the Fish Pier) and an investor. Before the U.S. entry into the First World War, Ward was employed by the state to lecture on the benefits of frozen fish as a food source. An active member in both the Congregational Church and local Masonic lodge, he married Katherine B. Symonds (d. 1948) in Leominster in October 1899.

Personal in nature, the Ward diaries provide a chronicle of the daily life of a relatively well to do fish wholesaler from 1897 through 1951, with some gaps. Generally small in size, the diaries are densely written and are laid in with letters, various sorts of documents, stamps, newsclippings, and other ephemera that help define the contours of Ward’s life. The collection is particularly rich for the years during the Second World War and it includes three diaries (1967, 1977, 1982) from later family members.

Deadhead, 1989
Photo by Lloyd Wolf

A photographer from Washington, D.C., Lloyd Wolf is a well known photojournalist and documentarian who often works on topics in social change. During the course of a career that began in the late 1970s, Wolf has worked on projects ranging from documenting the impact of the Vietnam Memorial in Washington, D.C., to Jewish mothers and fathers, Moroccan Jewry, drug rehabilitation in prison, and Black-Jewish dialog.

The 13 images in the collection are part of Wolf’s series, “Acid Reign,” a project conducted in 1989 with a sociologist from UNC-Greensboro, Rebecca Adams, exploring the lives of dedicated Deadheads. The prints were made for exhibition at the symposium, Unbroken Chain: the Grateful Dead in Music, Culture, and Memory, held at UMass Amherst in November 2007. All rights remain with Lloyd Wolf.