Double Edge Theatre Records, 1970-200228 boxes (15.5 linear feet).
Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.
The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.
The Farm at Ashfield, Mass.
Double Edge Theatre, founded in 1982, views itself as having a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create at its home, “The Farm,” located in Ashfield, Massachusetts, a permanent center of performance, practice, training research, and cultural exchange. The group’s focus is on “living culture,” a term used to describe both their unique method of research, exchange and collaborations in many parts of the world, and the belief that their work has the ability to transform an audience. This vision is exemplified in The Song Trilogy, a performance cycle more than ten years in the making about the life of the Jewish community in diaspora and its relationship to the various cultures which it confronts.
The group first performed in Allston, a district of Boston, before purchasing the Farm in 1995 both to escape the high cost of rent in the city as well as to expand the activities of the center. The 105-acre farm, one of oldest dairy farms in rural Ashfield, hosts artists, students, and community exchange, and permits the theatre to more fully embrace the practice of “living culture.” From the Farm’s opening in 1997, DET has premiered four of its own performances, created extra-theatrical research and exchange projects, long-term residencies, and collaborations with over a dozen artists and countries from across the United States, Asia, Latin America and Europe. In 1999 Double Edge initiated the first artist’s think tank in this country to research theatre, culture, and creation, and to provide a place for professional artists to work free from the demands of daily survival.
Training at DET
The records of Double Edge Theatre trace the history of this experimental company from their first performance featuring an all female cast to their more recent collaborations and projects, which have secured them a prominent place in the international theater community. The collection documents the theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.
The collection is organized into five series that together document Double Edge’s productions and performances, their involvement and relationships with other theaters and cultural projects, as well as the administrative side of operating the theatre.
The collection is open for research.
Please use the following format when citing materials from this collection:
Double Edge Theatre Records (MS 455). Special Collections and University Archives, W.E.B. Du Bois Library, University of Massachusetts Amherst.
Acquired from Stacy Klein in 2005.
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1982-1999
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1.75 linear ft.
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Bringing together research material, rehearsal notes, and scripts with programs, flyers, and reviews, this series documents the entire creative process from a project’s conception to its performance before an audience. Each of the theatre’s major productions is represented, and often times individual performances of these productions, demonstrating how they have evolved over time. Beginning with the group’s first production, Rites, which later became part of the Women’s Cycle, through The Song Trilogy and Republic of Dreams, this series also provides a record of their artistic growth and thematic movement. Over the years, Double Edge has changed, but they have always stayed true to their mission of training, research, performance, and cultural exchange. Of particular importance is their work on The Song Trilogy developed from 1987 to 1998. Consisting of three productions, Song of Absence, Song of Songs, and Keter, the Crowing Song, the Trilogy deals with the Jewish diaspora and its relationship to the cultures it encounters. Out of this performance cycle emerged Republic of Dreams, an international Jewish / American / Central European cultural exchange project, which focused on breaking through cultural and social isolation by unearthing remains of Jewish culture and other indigenous cultures through music, celebration, research, and oral histories of Holocaust and Stalinist survivors. |
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1972-2002
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4 linear ft.
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Double Edge Theatre has been involved in international study, exchange, and collaboration since its earliest days. Their first major collaboration was with Poland’s Gardzienice Theater Association, a collaboration that since 1986 has included producing one another’s work, hosting pedagogical sessions, symposia, and creating projects together, such as Republic of Dreams. |
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1973-2002
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2.25 linear ft.
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This series consists almost entirely of correspondence between Double Edge and other artists or companies from around the world. Critical to understanding the development of the theatre are the correspondence, speeches, and writings of Stacy Klein, founder of Double Edge. There is some overlap between the correspondence series and the other series in this collection, in particular, Series 2: Theaters and Collaborations. Many of the proposals and exchanges discussed in the letters found here were later developed into the projects and collaborations documented primarily in series 2. For the most comprehensive view of the evolution of projects from research to performance, both series should be consulted. |
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1982-2001
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1.25 linear ft.
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Dealing chiefly with the more prosaic details of operating a theatre group, this series includes records that reveal details about the company’s day-to-day activities, covering financial, legal, and fundraising aspects. Minutes of meetings from the early years of the theatre are of particular interest as well as the notes and financial records documenting the formation of the Conversation project, a symposia for directors from Central Europe and the U.S. which concluded in a public forum for fifty arts professionals. |
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1970-1998
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1.25 linear ft.
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The series consists mostly of photographs of Double Edge productions and collaborations, again documenting the evolution of their productions. Beyond capturing the staged performances of the theatre’s work, though, this series also includes images of the company’s training and life on the Farm, providing a unique behind-the-scenes look at this artistic community. |
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Series 1: Productions and Performances
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1982-1999
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Blood Rubies
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1982
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Box 1
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Bold Stroke for a Wife: printed material
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1985
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Box 1
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Bold Stroke for a Wife: research
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1985
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Box 1
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Bold Stroke for a Wife: scripts
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undated
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Box 1
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Bold Stroke for a Wife: set design
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undated
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Box 1
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Chehov Project: Work on 3 Sisters
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1984-1986
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Box 1
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Electra
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1984-1988
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Box 1
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Had She Spoken
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1984-1985
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Box 1
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Had She Spoken: box office reports
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1984
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Box 1
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Had She Spoken: scripts
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ca. 1985
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Box 1
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Hunger Artist
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1984
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Box 1
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Hunger Artist: rehearsal notes
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1983-1984
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Box 1
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Hunger Artist: scripts
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1983-1984
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Box 1
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My Sister in This House: production
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1983
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Box 2
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My Sister in This House: programs and flyers
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1983
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Box 2
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My Sister in This House: rehearsal notes
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1983
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Box 2
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My Sister in This House: reviews
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1983
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Box 2
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My Sister in This House: script
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1983-1984
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Box 2
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Republic of Dreams
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1993-1994
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Box 2
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Republic of Dreams: correspondence
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1993-1994
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Box 2
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Republic of Dreams: news clippings
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1994-1996
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Box 2
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Republic of Dreams: proposals and reports
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1992-1997
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Box 2
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Republic of Dreams: scripts and music
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undated
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Box 2
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Request Concert
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1986
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Box 2
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Rites
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1982
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Box 2
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Rites: reviews
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1982
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Box 2
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Song Trilogy
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1996-1999
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Box 2
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Song Trilogy: Keter, the Crowning Song
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1996-1999
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Box 2
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Production. |
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Song Trilogy: Keter, the Crowning Song
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1996-1997
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Box 3
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Programs and posters. |
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Song Trilogy: Keter, the Crowning Song
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1996-1998
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Box 3
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Reviews. |
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Song Trilogy: Song of Absence
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1987-1992
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Box 3
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Box office reports. |
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Song Trilogy: Song of Absence
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undated
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Box 3
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Costumes and props. |
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Song Trilogy: Song of Absence
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1989-1996
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Box 3
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Programs and flyers. |
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Song Trilogy: Song of Absence
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1989-1996
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Box 3
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Programs and flyers. |
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Song Trilogy: Song of Absence
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1989-1995
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Box 3
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Project description and writings. |
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Song Trilogy: Song of Absence
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1988
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Box 3
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Receipts. |
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Song Trilogy: Song of Absence
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1986-1989
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Box 3
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Reviews. |
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Song Trilogy: Song of Absence
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1988-1989
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Box 3
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Reviews, Polish. |
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Song Trilogy: Song of Absence
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ca. 1988
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Box 3
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Text. |
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Song Trilogy: Song of Absence
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1972-1987
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Box 4
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Tributes and memorials. |
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Song Trilogy: Song of Songs
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undated
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Box 4
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Box office reports. |
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Song Trilogy: Song of Songs
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1992-1995
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Box 4
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Flyers and printed material. |
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Song Trilogy: Song of Songs
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1990-1995
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Box 4
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Reviews. |
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Song Trilogy: technical requirements and sets
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1992-1996
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Box 4
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Series 2: Theaters and Cultural Collaborations
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1972-2002
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7 Stages (Atlanta, Ga.)
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1986-1994
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Box 4
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Akademia Ruchu
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1980-1988
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Box 4
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Arbos
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ca. 1996
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Box 4
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Armenian Youth Federation of Boston
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1986-1988
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Box 4
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Armenian Youth Federation of Boston
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1989
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Box 4
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Arts Boston
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1983
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Box 4
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Arts Lac Champlain
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1993
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Box 4
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Baltimore Theatre Project
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1995
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Box 4
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Bengkel Teater Pendra
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1987
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Box 4
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Buster-Scimitar Theater
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undated
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Box 4
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Cardiff Laboratory Theatre
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1986-1987
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Box 4
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Center for Performance Research
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1995-1996
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Box 4
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Charlestown Working Theater
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1995-1997
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Box 4
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Charter Oak Temple Cultural Center
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1991-1992
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Box 5
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Dah Teatar
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1995-1996
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Box 5
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DÃ k Theatre Co.
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1989
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Box 5
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Double Edge Theatre: background packets
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1985-1995
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Box 5
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Double Edge Theatre: consortium contacts
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undated
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Box 5
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Double Edge Theatre: contacts
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1996-1998
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Box 5
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Double Edge Theatre: Conversation Open Forum contacts
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1997
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Box 5
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Double Edge Theatre: Conversation Open Forum guest information
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1997
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Box 5
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Double Edge Theatre: Conversation Open Forum invitation list
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1996
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Box 5
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Double Edge Theatre: exchange projects, Diablomundo
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1992-2001
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Box 5
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Double Edge Theatre: exchange projects, Diablomundo
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undated
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Box 5
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Spiral Mirror. |
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Double Edge Theatre: exchange projects, Hungary
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1996
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Box 5
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Double Edge Theatre: National Ensemble Theatre Conference
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1999-2000
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Box 5
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Double Edge Theatre: posters
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2002, undated
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Box 5
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Double Edge Theatre: press release packet
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ca. 1992
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Box 5
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Double Edge Theatre: press releases and news clippings
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1983-1995
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Box 5
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Double Edge Theatre: press releases and news clippings
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1996-1999
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Box 5
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Double Edge Theatre: scripts, possibilities
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ca. 1982
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Box 6
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Double Edge Theatre: scripts, possibilities
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ca. 1982
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Box 6
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Double Edge Theatre: workshop residency
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1998
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Box 6
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Linklater residency. |
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Double Edge Theatre: workshops and training residency
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1996-2001
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Box 6
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Double Edge Theatre: works in progress
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1986
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Box 6
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En Garde Arts
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1989-1993
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Box 6
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Ensemble Studio Theatre
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1991
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Box 6
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Five Lesbian Brothers: Brave Smiles
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undated
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Box 6
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Gardzienice: college tours, Bennington College
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1998
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Box 6
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Gardzienice: college tours, Central Connecticut University
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1998
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Box 6
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Gardzienice: college tours, SUNY Buffalo
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1998
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Box 6
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Gardzienice: consortium background
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1999
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Box 6
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Gardzienice: consortium participant information
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1999-2001
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Box 6
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Gardzienice: consortium student response
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2000-2002
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Box 6
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Gardzienice: International Theatre Symposium
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1987
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Box 6
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Gardzienice: Metamorphosis
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1998-2001
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Box 6
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Gardzienice: performances
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1985, 2000
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Box 6
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Gardzienice: planning
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1987-2000
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Box 7
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Gardzienice: posters
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1986-1987
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Box 7
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Gardzienice: press releases and clippings
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1980-1986
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Box 7
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Gardzienice: press releases and clippings
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1988-1993
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Box 7
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Gardzienice: press releases and clippings
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1997-1998
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Box 7
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Gardzienice: programs
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1983-1998
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Box 7
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Gardzienice: technical and stage
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undated
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Box 7
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George Coates Performance Works
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1983-1992
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Box 7
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Grenland Friteater
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1987-1995
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Box 8
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International Consortium of Theatre Practice Training Program
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2000
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Box 8
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International Festival of Young Professional Theatre (Sibu, Romania)
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1993-1996
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Box 8
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International Theatre Institute of the United States
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1996-1997
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Box 8
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International Women’s Culture Festival
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1995
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Box 8
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Invisible Theatre
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1994
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Box 8
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Jordcirkus
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1982-1989
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Box 8
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Konfrontacje Teatralne: The International Festival Theatre Confrontations
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1997
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Box 8
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Latitude 45
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1997
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Box 8
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Mabou Mines
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1983-1986
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Box 8
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MC 93 Bobigny
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1990
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Box 8
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Mecklenburgisches Staatstheater Schnerin
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1990-1991
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Box 8
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New England Artists Trust
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1993
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Box 8
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Next Stage
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1992
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Box 8
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Odin Teatret: International School of Theatre Anthropology
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1986-1995
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Box 8
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Odin Teatret: press releases and news clippings
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1967 June-1972 Oct
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Box 9
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Odin Teatret: press releases and news clippings
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1973 May-1976 Nov
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Box 9
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Odin Teatret: press releases and news clippings, book
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1976
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Box 9
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Odin Teatret: press releases and news clippings
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1978 May-1983 Dec
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Box 9
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Odin Teatret: press releases and news clippings
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1984 May-1986 Mar
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Box 9
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Odin Teatret: production report, FERAI
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ca. 1972
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Box 9
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Odin Teatret: programs and festivals
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1974-1984
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Box 9
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Odin Teatret: scripts
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1972-1982
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Box 9
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Odin Teatret: scripts
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1972-1982
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Box 9
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Organic Performance Center
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1987
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Box 10
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Osjan
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1988
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Box 10
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Philadelphia Festival for the Arts
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1991-1994
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Box 10
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Pilgrim Theatre: 2nd Stage
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1994-1995
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Box 10
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Polish Theatre
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1977-1987
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Box 10
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Queen Elizabeth II Arts Council: flyers and programs
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1989-1990
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Box 10
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Research Center for Experimental Theatre, Inc.
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1994
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Box 10
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Roy Hart Theatre
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1985-1987
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Box 10
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Shlomo Bar and Habrera Hativit
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1988-1991
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Box 10
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Silesian Dance Theatre
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1995
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Box 10
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Sitges Teatre International
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1991
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Box 10
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Sleeveless Theatre
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1989
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Box 10
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Suzuki Company of Toga (SCOT)
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ca. 1987
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Box 10
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Teatr Ósmego DNIA
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1985-1996
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Box 10
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Teatr Provisorium
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1986-1987
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Box 10
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Teatret York
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1985-1986
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Box 10
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Teatro Nucleo
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1986-1987
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Box 10
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Theater im Pumpenhaus
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1986
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Box 10
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Theater Instituut Nederland
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1996-1997
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Box 10
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Theater Instituut Nederland
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1996-1997
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Box 11
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Theatre Communications Group, Inc.
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1999-2002
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Box 11
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Theater Der Welt
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1993
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Box 11
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Theatre Druzba
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1990
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Box 11
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Theatre S.
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1985
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Box 11
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TMU-NA Theatre
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1987-1993
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Box 11
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Voiceworks!
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1990
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Box 11
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Women in Theatre: Magdalena Project
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1982-1995
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Box 11
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Series 3: Correspondence and Topical Files
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1973-2002
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Ahrens, Lois
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1998-2000
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Box 11
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Akko Festival
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ca. 1994
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Box 11
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Ambrová, Alena
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1980-1981
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Box 11
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American Repertory Theatre
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1992-1993
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Box 11
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Argentina
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1993
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Box 11
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Arnoult, Philip
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1991-1995
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Box 11
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Arnoult, Philip
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1996
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Box 11
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Arnoult, Philip
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1996
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Box 12
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Arnoult, Philip
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1997
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Box 12
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Arnoult, Philip
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1997
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Box 12
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Arnoult, Philip
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1998, undated
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Box 12
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Arsem, Marilyn
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1987
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Box 12
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Asian Cultural Council
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1996-1998
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Box 12
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Barba, Eugenio
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1975-1985
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Box 12
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Central Connecticut University
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1992-1995
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Box 12
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Ceterchi, Liana
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1997
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Box 12
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Chack, David Yehudah
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1990
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Box 12
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Chadwick, Helen
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1989-1991
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Box 12
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Chiriac, Constantin
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1996-1997
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Box 12
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Church of St. Luke’s & St. Margaret’s
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1993-1997
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Box 12
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Coigney, Martha
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1987-1998
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Box 12
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Coorlawala, Uttara
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1984-1988
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Box 12
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Cordon, Bonnie
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1988-1997
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Box 12
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Cox, Amelia
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1993-1996
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Box 12
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Cox, Amelia
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1997
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Box 12
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Cunha, Edite
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2000-2001
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Box 12
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Chwat, Jacques
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1973-1985
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Box 12
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Czechoslovakia
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1991
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Box 13
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Dishy, Andrea
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1986
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Box 13
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Double Edge Theatre: community support letters
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1991-1994
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Box 13
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Double Edge Theatre: Gardzienice Consortium
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1999
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Box 13
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Double Edge Theatre: Gardzienice Consortium
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2000
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Box 13
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Double Edge Theatre: Gardzienice Consortium
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2001
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Box 13
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Double Edge Theatre: general
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1982-1994, undated
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Box 13
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Double Edge Theatre: workshop residency
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1998
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Box 13
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Duffy, Maureen
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undated
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Box 13
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Durand, Carroll
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1982-1997
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Box 13
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Dzamonja, Dario
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undated
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Box 13
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Flaxman, David
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1986-1996
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Box 13
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Gabow, Michelle
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1989-1990
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Box 13
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Gardzienice Theatre
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1986-2001
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Box 13
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Gardzienice Theatre: national theater status
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1998-1999
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Box 13
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Germany: tour contacts
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1995
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Box 13
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Gierat, Krzysztof
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1992-1999
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Box 13
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Gökçer, Ayten
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undated
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Box 13
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González, Pilar Medina
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ca. 1986
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Box 13
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Greenhalgh, Jill
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1986-1987
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Box 13
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Greenland Friteater
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1988-1996
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Box 13
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Griggs, Michael
|
1994
|
Box 13
|
|
|
Grusková, Anna
|
1995-1996
|
Box 13
|
|
|
Hur, Soon-ja
|
1996-1997
|
Box 13
|
|
|
International Meeting of Moving Theatre
|
1998
|
Box 14
|
|
|
Israeli Fringe Theatre Festival
|
1994
|
Box 14
|
|
|
Janiszewski, Tadeusz
|
1994-1995
|
Box 14
|
|
|
Jausovec-Novack, Aniece
|
1994
|
Box 14
|
|
|
Jones, Rhodessa
|
1992
|
Box 14
|
|
|
Joods Historisch Museum
|
1994
|
Box 14
|
|
|
Jordcirkus
|
1987-1989
|
Box 14
|
|
|
Kanter, Shauna
|
1990
|
Box 14
|
|
|
Katal, Dmytro
|
undated
|
Box 14
|
|
|
Keller, Anthony
|
1996-1999
|
Box 14
|
|
|
Kesmarky, Nora
|
1999
|
Box 14
|
|
|
Klein, Stacy: biographical material
|
ca. 1985-1996
|
Box 14
|
|
|
Klien, Stacy: correspondence
|
1982-1986
|
Box 14
|
|
|
Klein, Stacy: correspondence
|
1987-1988
|
Box 14
|
|
|
Klein, Stacy: correspondence
|
1989-1991
|
Box 14
|
|
|
Klein, Stacy: correspondence
|
1992-1996
|
Box 14
|
|
|
Klein, Stacy: correspondence
|
1997
|
Box 14
|
|
|
Klein, Stacy: correspondence
|
1998-2001
|
Box 14
|
|
|
Klein, Stacy: correspondence
|
undated
|
Box 14
|
|
|
Klein, Stacy: dissertation
|
1988
|
Box 14
|
|
|
Klein, Stacy: dissertation
|
1988
|
Box 15
|
|
|
Klein, Stacy: speeches and writings
|
1992-1997, undated
|
Box 15
|
|
|
Kot, Marcin
|
1997
|
Box 15
|
|
|
Krukowski, Wojtek
|
1988-1989
|
Box 15
|
|
|
Lorca, Frederico Garcia
|
undated
|
Box 15
|
|
|
Makuch, Janusz
|
1995
|
Box 15
|
|
|
Marmor, Kathy
|
1989
|
Box 15
|
|
|
Milosevic, Dijana
|
1998
|
Box 15
|
|
|
Murray, Michael
|
1990
|
Box 15
|
|
|
Nascimento, Claudia Tatinge
|
1997
|
Box 15
|
|
|
New England Foundation for the Arts
|
1993
|
Box 15
|
|
|
Odin Teatret
|
1980-1999
|
Box 15
|
|
|
Ostaszewski, Jacek
|
1988-1989
|
Box 15
|
|
|
Palar, Max Edison
|
1982-1987
|
Box 15
|
|
|
Paquin, Normand
|
1993-1994
|
Box 15
|
|
|
Peitso, John
|
1997
|
Box 15
|
|
|
Pilgrim Theatre
|
1993, 2002
|
Box 15
|
|
|
Plotzki, Netta
|
ca. 1987
|
Box 15
|
|
|
Poland: festival correspondence
|
1991-1997
|
Box 15
|
|
|
Popchristov, Damian
|
1987
|
Box 15
|
|
|
Portland State University
|
1994-1998
|
Box 15
|
|
|
Primus Theatre
|
1995-1996
|
Box 15
|
|
|
Prithvi Theatre
|
1998
|
Box 15
|
|
|
Reichblum, Bill
|
1986-1999
|
Box 15
|
|
|
Rendra, W.S.
|
1981-1987
|
Box 15
|
|
|
Reyna, Marie
|
2000-2001
|
Box 15
|
|
|
Robins, Daina
|
1983-1984
|
Box 15
|
|
|
Roth, Beatrice
|
1987
|
Box 16
|
|
|
Sadowski, Andrzej
|
1995
|
Box 16
|
|
|
Saito, Ikuko
|
1986-1987
|
Box 16
|
|
|
Samarth, Alaknanda
|
1987
|
Box 16
|
|
|
Samarth, Alaknanda
|
1987
|
Box 16
|
|
|
Sarabhai, Mallika
|
1990
|
Box 16
|
|
|
Scales, Barbara
|
1996-1998
|
Box 16
|
|
|
Scott, Alexander
|
1987-1989
|
Box 16
|
|
|
Seattle Repertory Theatre
|
1995
|
Box 16
|
|
|
Senelick, Laurence
|
1991-1993
|
Box 16
|
|
|
Serious Play
|
1998
|
Box 16
|
|
|
Sherman, Margo Lee
|
1987
|
Box 16
|
|
|
Sibiu International Theatre Festival
|
1997
|
Box 16
|
|
|
Slowiak, James
|
1989
|
Box 16
|
|
|
Spain: tour contacts
|
undated
|
Box 16
|
|
|
Stage International
|
1991
|
Box 16
|
|
|
Staniewski, Wlodzimierz
|
1980-1988
|
Box 16
|
|
|
Staniewski, Wlodzimierz
|
1992-1996
|
Box 16
|
|
|
Staniewski, Wlodzimierz
|
1997
|
Box 16
|
|
|
Staniewski, Wlodzimierz
|
1998-2000
|
Box 16
|
|
|
Takei, Kei
|
1976-1985
|
Box 16
|
|
|
Talking Debs, Inc.
|
1998
|
Box 16
|
|
|
Teatr Powszechny
|
1994
|
Box 16
|
|
|
Teatret Yorick
|
1988-1994
|
Box 16
|
|
|
Theatre of Nations (Korea)
|
1996-1997
|
Box 16
|
|
|
Tierney, Hannah
|
1986
|
Box 16
|
|
|
Timmons, Ann
|
1989
|
Box 16
|
|
|
Todorov, Petar
|
1995-1996
|
Box 16
|
|
|
Trust for Mutual Understanding
|
1993-2001
|
Box 16
|
|
|
University of Tennessee Theatres
|
1992
|
Box 16
|
|
|
Uriona, Carlos
|
1997
|
Box 16
|
|
|
Vasiu, Codruta
|
1999
|
Box 16
|
|
|
Vaughn, Roderick
|
undated
|
Box 16
|
|
|
Ward, Lucy
|
undated
|
Box 17
|
|
|
Warner, Gwynne
|
1996
|
Box 17
|
|
|
Women in Theatre Festival
|
1984-1986
|
Box 17
|
|
|
Women in Theatre Festival
|
1987-1989
|
Box 17
|
|
|
Zlatkes, Gwido
|
1987-1995
|
Box 17
|
|
Series 4: Administration
|
1982-2001
|
||
|
Advertising
|
1984-1986
|
Box 17
|
|
|
Biographical sketches
|
ca. 1990-2000
|
Box 17
|
|
|
Box office
|
1994-2000
|
Box 17
|
|
|
Brochure: DET history
|
ca. 1997
|
Box 17
|
|
|
Calendars
|
2000
|
Box 17
|
|
|
Contracts
|
1982-2000
|
Box 17
|
|
|
Contracts: Church of Sts. Luke and Margaret
|
1985-1994
|
Box 17
|
|
|
Contracts: Odin Teatret
|
1985
|
Box 17
|
|
|
Contracts: Theatre of Nations (Seoul-Kyonggi)
|
1997
|
Box 17
|
|
|
Conversation project: contracts
|
1997
|
Box 17
|
|
|
Conversation project: finances
|
1997-1999
|
Box 17
|
|
|
Conversation project: meeting notes
|
1997
|
Box 17
|
|
|
Finances
|
1986-1998
|
Box 18
|
|
|
Finances: accounts payable
|
1996-1997
|
Box 18
|
|
|
Finances: budgets
|
1989-1992
|
Box 18
|
|
|
Finances: Gardzienice
|
1986, 1996
|
Box 18
|
|
|
Finances: Gardzienice
|
1998-1999
|
Box 18
|
|
|
Finances: Gardzienice
|
2000-2001
|
Box 18
|
|
|
Floor plan: Harris, Ryan
|
undated
|
Box 18
|
|
|
Fundraising
|
1982-1991
|
Box 18
|
|
|
Grants
|
1995-1996
|
Box 18
|
|
|
Letterhead and stationery
|
undated
|
Box 18
|
|
|
Liability forms
|
1989-1998
|
Box 18
|
|
|
Minutes
|
1983
|
Box 18
|
|
|
Minutes
|
1984-1985
|
Box 19
|
|
|
Minutes
|
1986, 1993
|
Box 19
|
|
|
Newspaper clippings: MCC funding
|
1993
|
Box 19
|
|
|
Second Stage Programs: letters of agreement
|
1994-1996
|
Box 19
|
|
|
Travel
|
1997-2000
|
Box 19
|
|
|
Travel: Gardzienice
|
1986
|
Box 19
|
|
|
Travel: Ukrania
|
1994
|
Box 19
|
|
|
Writings and miscellaneous
|
1987, undated
|
Box 19
|
|
Series 5: Photographs
|
1970-1998
|
||
|
Akademia Ruchu
|
1982-1986
|
Box 19
|
|
|
Ambrová, Alena
|
undated
|
Box 19
|
|
|
Armenian Youth Federation of Boston
|
1989
|
Box 19
|
|
|
Arnoult, Philip
|
1988
|
Box 19
|
|
|
Arsem, Marilyn
|
1987
|
Box 19
|
|
|
Blood Rubies
|
1982
|
Box 19
|
|
|
Blood Rubies
|
1982
|
Box 19
|
|
|
Bold Stroke For a Wife
|
1985
|
Box 19
|
|
|
Bold Stroke For a Wife
|
1985
|
Box 19
|
|
|
Coorlawala, Uttara Asha
|
undated
|
Box 19
|
|
|
Chehov Project: Work on 3 Sisters
|
1986
|
Box 19
|
|
|
Chehov Project: Work on 3 Sisters
|
1986
|
Box 19
|
|
|
Electra
|
1988
|
Box 19
|
|
|
Farm life (Ashfield, Mass.)
|
ca. 1996
|
Box 19
|
|
|
Gardzienice
|
1980-1985
|
Box 19
|
|
|
Gardzienice
|
1998
|
Box 19
|
|
|
Gardzienice: Metamorphosis
|
undated
|
Box 19
|
|
|
Gardzienice: Taos (New Mexico)
|
1998
|
Box 19
|
|
|
Grenland Friteater
|
1991
|
Box 20
|
|
|
Had She Spoken
|
1984
|
Box 20
|
|
|
Had She Spoken
|
1984
|
Box 20
|
|
|
Hunger Artist
|
1984
|
Box 20
|
|
|
Hunger Artist
|
1984
|
Box 20
|
|
|
Italy
|
1985
|
Box 20
|
|
|
Italy
|
1985
|
Box 20
|
|
|
Maleczech, Ruth
|
1983
|
Box 20
|
|
|
My Sister in This House
|
1983
|
Box 20
|
|
|
My Sister in This House
|
1983
|
Box 20
|
|
|
Negatives: miscellaneous
|
undated
|
Box 20
|
|
|
Odin Teatret: productions
|
undated
|
Box 20
|
|
|
Figures 1.1-1.20. |
|||
|
Odin Teatret: productions
|
undated
|
Box 20
|
|
|
Figures 2.1-2.49, 3.1. |
|||
|
Odin Teatret: productions
|
undated
|
Box 20
|
|
|
Figures 4.1-4.14. |
|||
|
Palar, Max
|
1975-1987
|
Box 20
|
|
|
Photographs: miscellaneous
|
undated
|
Box 20
|
|
|
Plotsky, Netta
|
undated
|
Box 20
|
|
|
Protnowski, Kenta
|
1987
|
Box 20
|
|
|
Rendra-Bengkel Theatre
|
1970-1987
|
Box 20
|
|
|
Rites
|
1982
|
Box 20
|
|
|
Samarth, Alaknanda
|
1981
|
Box 20
|
|
|
Sleeveless Theatre
|
undated
|
Box 20
|
|
|
Song Trilogy: art work and documentary research
|
1987
|
Box 20
|
|
|
Song Trilogy: Song of Absence
|
1982
|
Box 20
|
|
|
Song Trilogy: Song of Absence
|
1982
|
Box 21
|
|
|
Song Trilogy: Song of Absence
|
1982
|
Box 21
|
|
|
Song Trilogy: Song of Absence
|
1986
|
Box 21
|
|
|
Song Trilogy: Song of Absence
|
1986
|
Box 21
|
|
|
Song Trilogy: Song of Absence
|
1988
|
Box 21
|
|
|
Song Trilogy: Song of Absence
|
1988
|
Box 21
|
|
|
Song Trilogy: Song of Absence
|
undated
|
Box 21
|
|
|
Technical shots. |
|||
|
Song Trilogy: Song of Songs
|
1990
|
Box 21
|
|
|
Suzuki Company of Toga
|
undated
|
Box 21
|
|
|
Takei, Kei
|
1982-1983
|
Box 21
|
|
|
Teatro Nucleo
|
undated
|
Box 21
|
|
|
Teatr Provisorium
|
undated
|
Box 21
|
|
|
Teatret York: Madame Bovary – Downtown
|
ca. 1985
|
Box 21
|
|
|
Teatret York: Richard III
|
undated
|
Box 21
|
|
|
Theater im Pumpenhaus
|
1985-1987
|
Box 21
|
|
|
Theatre Druzba
|
undated
|
Box 21
|
|
|
Training
|
1986
|
Box 21
|
|
|
Training
|
1986
|
Box 21
|
|
