Ellsworth “Dutchy” Barnard attended Massachusetts Agricultural College, and received his Bachelor of Science degree in 1928. Barnard began teaching college English in 1930 at Massachusetts State College. In the fall of 1957 he took a position at Northern Michigan University (NMU). As chairman of the English department, Barnard presided over a selection committee which brought the first African-American faculty member to NMU. During the 1967-1968 academic year, he led the faculty and student body in protesting the dismissal of Bob McClellan, a history professor. Although the effort to reappoint McClellan was successful, Barnard had already tendered his resignation at NMU and returned to the University of Massachusetts at Amherst for the 1968-1969 academic year. He ended his career at UMass as the Ombudsperson, the first to fill that office. Barnard retired in 1973 and lived in Amherst until his death in December 2003.

Barnard’s papers document his distinguished career as an English professor and author, as well as his social activism, particularly on behalf of the environment. They consist of course materials, personal and professional correspondence, drafts of essays, lectures and chapters, published works, a collection of political mailings, a number of artifacts both from the University of Massachusetts and other educational institutions and organizations, and a number of poems by Barnard and others.

YPSL logo

In the early 1960s, Tom Barton (b. 1935) emerged as a leader in the Left-wing of the Young People’s Socialist League, the national youth affiliate of the Socialist Party. Deeply committed to the civil rights and antiwar struggles and to revolutionary organizing, Barton operated in Philadelphia, Chicago, and New York and was a delegate and National Secretary at the 1964 convention in which tensions within YPSL led to its dissolution.

A small, but rich collection, the Barton Papers provide a glimpse into the career of a long-time Socialist and activist. From Barton’s entry into the Young People’s Socialist League in the latest 1950s through his work with the Wildcat group in the early 1970s, the collection contains outstanding content on the civil rights and antiwar movements and the strategies for radical organizing. The collection is particularly rich on two periods of Barton’s career — his time in the YPSL and Student Peace Union (1960-1964) and in the Wildcat group (1968-1971) — and particularly for the events surrounding the dissolution of YPSL in 1964, following a heated debate over whether to support Lyndon Johnson for president. The collection includes correspondence with other young radicals such as Martin Oppenheimer, Lyndon Henry, Juan McIver, and Joe Weiner.

Composer and professor of music, University of Iowa and University of Massachusetts Amherst.

Correspondence, scores and parts for instrumental and vocal compositions, sound recordings, programs and posters for performances of Bezanson’s works (1951-1980), sound recordings and other papers relating to development, performance, and publication of Bezanson’s compositions. Includes papers related to the development of the opera Golden Child, broadcast on national television and written in collaboration with Paul Engle; and score of the opera Stranger in Eden, with libretto by William R. Reardon.

The protistologist Lea Bleyman has conducted research into the genetics, mating systems, and life cycles of ciliates. A former student of Tracy Sonneborn, Bleyman has served as past Secretary and President (2001-2002) of the Society of Protozoologists, and spent many years on the faculty of the Department of Natural Sciences at Baruch College.

The Bleyman Papers contain lab and research notes, abstracts of talks and conference materials, along with some correspondence and annual progress reports from Baruch College. The earliest materials in the collection relate to her years as a student in Sonneborn’s lab.

Horace Mann Bond, ca.1930

Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond’s father, James Bond. Fully represented are Bond’s two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions.

Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunche, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Pauli Murray, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter G. Woodson and Monroe Work.

Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Brotherhood of the Spirit, 1968-1973

	Michael Metelica at the treehouse: Leyden, Mass., 1968. (Ref. no. car1)
	The treehouse: Blueberry Hill, Leyden, 1968. (Ref. no. car2)
	The Treehouse Gang, Leyden 1968: (L – R) top: Dale Sluter, Chris Garland, Doug Edson, Jim Kolokowski, Eddie Evans, Brian Smith on shoulders, Jim Sullivan. Bottom: Wayne Duda, Gene Lewis (Cricket), Tom Howes. (Ref. no. car3)
	The Founding Mothers, 1969: Micky Shean (?) and baby, Heidi Bushell, Laurel Artus holding Leah Artus, Wendy Crowell. (Ref. no. car4)
	Meditation at Beth Hapgood’ s home at 88 Main St, Northfield, Mass. 1969. (Ref. no. car5)
	Elwood Babbitt, 1970. (Ref. no. car6) Photo by: Gary Cohen
	Heidi Bushell and Michael Metelica reading Lopsang Rampa, early source of spiritual inspiration. Leyden, 1968. (Ref. no. car7)
	Winter scene. Chris Garland, Michael Metelica, unidentified, Dale Sluter, Jim Kolokowski. Heath, 1969. (Ref. no. car8)
	Maple sugaring, Charlemont, Mass. 1969. Gene (Cricket) Lewis, Eddie, Michael. (Ref. no. car9)
	Maple sugaring, Charlemont, 1969. Various visitors and members. (Ref. no. car10)
	Heath, Mass. 1969,. Far left, Nate Tilton and Steve Wolfson. Band is early forerunner to in Flesh. (Ref. no. car11)
	Warwick, Mass. Summer of 1970, photo from Greenfield Recorder newspaper in foreground is Susan Meyer and Jeff Lister. (Ref. no. car12)
	Warwick group shot, summer 1970. Publication unknown. (Ref. no. car13)
	“LOOK” magazine photo. Taken July 1970, published December 1970. (Ref. no. car14)
	Spiritual Graffiti, Warwick main house, 1970-71. Such spontaneously inspired writingswere common during the Warwick era. (Ref. no. car15)
	Concert at St. James Church, Greenfield, Mass. 1970. Robert Hincks and Michael Metelica. This church was one of the few local ones that was welcoming to the Brotherhood and hosted many events and weddings during this period. (Ref. no. car16)
	Members listening to Spirit in Flesh rehearse at Warwick Studio. Note looks of ecstasy on individual faces. Top; Vicki Locatelli, unidentified, Steve Abrahamson, John Pollard, unidentified. Middle; Jacquie Metelica, Mark Alvin, Brian McCue. Bottom; Jackie Odess, Annette Laufe. (Ref. no. car17) Photo by: Gary Cohen
	Summer invasion of visitors, sometimes several hundred a day. Summer of 1970, Warwick. Garden between house and future Dorm. (Ref. no. car18)
	the “PM Tent”. Warwick, summer 1970. This huge plastic tent housed “Prospective Members” who went through a two-week trial period before begin voted on for membership. The PM tent was also notorious for forbidden (and frequent) amorous activity between members and PM’s. (Ref. no. car19)
	Temporary Encampment, Guilford, VT. Summer 1970. Overwhelmed by visitors, long-term members set up a temporary retreat in the wilds of Guilford, near the Johnson’s Pasture commune. (Ref. no. car20)
	Wedding at Warwick, July 1970, Michael playing guitar with Donna Braden (R). (Ref. no. car21)
	“Commune Gothic” Summer 1970. Heidi Bushell and Mike McCarty. (Ref. no. car22)
	The Logging Crew, Winter 1970-71. Carol and Eddie Evans, Mitch Sieser, Greg Fitzgerald, Nate Tilton in back. Crew leader, Geoff, “Gurf” Nuckols in front. (Ref. no. car23)
	Warwick Kitchen, 1972. Meg, “Nutmeg” Rich stirring dinner, probably brown rice, squash or mashed potatoes. (Ref. no. car24)
	Breakfast in Warwick 1971. Mark Alvin (foreground) shares a moment with Rita Raymond. Deborah Starobin looks on. (Ref. no. car25)