Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Founders of the Niagara Movement,
ca.1905

The acquisition of the papers of W.E.B. Du Bois in 1972 established SCUA as a center for research in African American history. In subsequent years, the University of Massachusetts has supported the publication of three volumes of Dr. Du Bois’ correspondence and SCUA has served as a resource for many dozens of scholarly articles and books on Du Bois and his legacy. SCUA has also made efforts to build around the Du Bois collection, adding other important printed and manuscript materials both in African American history and in the history of efforts to promote social change.

Beyond Du Bois, significant collections in African American history include the papers of the abolitionist Hudson Family of Northampton, the expatriate playwright Gordon Heath, the sociologist, educator, and former president of Lincoln University, Horace Mann Bond.

Each February, in commemoration of Dr. Du Bois’s birthday, SCUA and the Du Bois Department of Afro-Americans Studies at UMass co-sponsor a colloquium on Du Bois and his legacy. Our lecturers have included distinguished scholars such as Herbert Aptheker, Randolph Bromery, Clayborne Carson, and David Levering Lewis.

Significant collections

Founded in 1977, the New York State Coalition Opposed to Fluoridation is a non-partisan policy making and political action organization devoted to informing the public about the deleterious physiological effects of fluorides. With a membership comprised of professionals and non-professionals, physicians, scientists, and environmentalists, the Coalition works to raise awareness among elected officials at all levels of government about the need for environmental protection and works with an international network of similar organizations with the ultimate goal of ending the fluoridation of public water supplies.

The NYSCOF collection documents two decades of an organized, grassroots effort to influence public policy relating to water fluoridation in New York state and elsewhere. In addition to 7.5 linear feet of subject files relating to fluoridation, the collection includes materials issued by and about NYSCOF, several audio and videotapes, and documentation of their work with elected officials.

The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

Correspondence (1825-1888) and journals (1830-1845) of Erasmus Darwin Hudson (1805-1880), anti-slavery organizer and orthopedic surgeon, relating chiefly to his activities for the Connecticut and American Anti-Slavery societies; his antislavery campaign map of New York state and surrounding areas (1841), with handwritten notes; account books (1831-1838) of Daniel C. Hudson and Erasmus Darwin Hudson; family records and writings of Erasmus Darwin Hudson, Jr. (1843-1887), thoracic physician, and other family members; notes on the branches of medicine and handwritten drafts of lectures; genealogies of the Hudson, Shaw, Clarke, Fowler, and Cooke families, and printed material, memorabilia, clipping and photographs. Includes correspondence from major antislavery figures, including Abby Kelley, Wendell Phillips, Frederick Douglass, William Lloyd Garrison, Isaac Hopper, and Samuel May.

A pioneer in African American history, August Meier was a model of an engaged academic, a prolific writer, active participant in the civil rights struggle, and staunch member of the NAACP, SNCC, and CORE. While pursuing graduate work at Columbia under Henry Steele Commager, Meier taught at a succession of Historical Black Colleges, including Tougaloo (1945-1949), Fisk (1953-1956), and Morgan State (1957-1964). His dissertation, completed in 1957, became the first of eleven books he wrote or edited, Negro Thought in America, 1880-1915 (1963), with much of later work conducted in collaboration with Elliott Rudwick and John Bracey. Meier joined the faculty at Kent State University in 1967 and remained there until his retirement in 1993. His much-anticipated monograph on the history of the NAACP had not been completed at the time of death in 2003.

The Meier collection is am exceptional assemblage of books, pamphlets, and periodicals centering on African American history and culture, the antislavery and civil rights movements, and race relations. Reflecting his research interests and personal history, the collection includes a number of first editions, signed copies, and scarce titles. Many other books and journals owned by Meier have been integrated into the general collections of the University Libraries.

Fred Tillis, Nov. 23, 1977

A composer, performer, poet, educator, and arts administrator, Fred Tillis was one of the major influences on the cultural life at UMass Amherst for forty years. Born in Galveston, Texas, in 1930, Tillis began playing jazz trumpet and saxophone even before his teens. A product of segregated schools, he graduated from Wiley College at the age of 19, and received his MA and PhD in music at the University of Iowa. As a performer and composer of unusual breadth, his work spans both the jazz and European traditions, and he has written for piano and voice, orchestra, choral pieces, chamber music, and in the African American spiritual tradition, drawing upon a wide range of cultural references. After teaching at Wiley, Grambling, and Kentucky State in the 1960s, Tillis was recruited to UMass in 1970 by his former adviser at Iowa, Philip Bezanson, to teach music composition and theory. Earning promotion to Professor in 1973, Tillis was appointed Director of the Fine Arts Center in 1978, helping to jump start some of the most successful arts initiatives the university has seen, including the the Afro American Music and Jazz program, the New World Theater, Augusta Savage Gallery, Asian Arts and Culture Program, and Jazz in July. Upon retirement from UMass in 1997, he was appointed Emeritus Director of the Fine Arts and remains active as a musician and poet.

The Tillis papers document an extraordinary career in the arts, focused on Fred Tillis’s work as a composer. Consisting primarily of musical scores along with an assortment of professional correspondence relating to his publishing and miscellaneous notes, the collection offers insight into the evolution of Tillis’s musical vision from the 1970s into the new millennium.

Five generations of an African-American family that achieved commercial success and wealth through the restaurant and catering business as well as extensive real estate investments at the turn of the 20th century in New York City, Brooklyn, and Sea Cliff, Long Island, New York. Includes letters, public and church records, news clippings, ephemera, a videotape, and 87 photographs.

Ann Gordon served as the editor of the Susan B. Anthony and Elizabeth Cady Stanton papers as a member of African American Studies department from 1982 until the project’s conclusion in 1989. While at the University, Gordon, along with John Bracey, Joyce Berkman, and Arlene Avakian planned a conference discussing the history of African American Women voting from the Cady Stanton’s meeting at Seneca Falls to the Voting Rights Act. The conference, called the African American Women and the Vote Conference, was held in 1988.

The collection is comprised of proposals, reports, meeting transcripts, and correspondence from Gordon’s work planning the 1988 African American Women and the Vote Conference. Also included is preliminary work by Gordon to organize the papers given at the conference into book form.