UMass Student, 1970
Every fall, the Department of Special Collections and University Archives sponsors a colloquium focusing on a topic in social change. Like SCUA’s collections, these colloquia cover a broad terrain, touching on a variety of issues in social justice, equality, and democracy.
Colloquia are free and open to the public.
Colloquium 2013 (Tue. March 5)
Author Tom Fels and media artist Mark Tribe will speak on Tuesday, March 5, 2013, from 4:00 p.m. to 6:00 p.m., in Room 2601 on Floor 26, of the Du Bois Library at UMass Amherst. The event, “Peace and War: Assessing the Legacies of Sixties Activism Today,” marks the completion of the eighth annual Social Change Colloquium.
Longtime independent writer and researcher Tom Fels’ new book Buying the Farm: Peace and War on a Sixties Commune (UMass Press, 2012) explores the long history of Montague Farm, north of Amherst, one of the era’s iconic experiments in social change. Before drawing his own conclusions about it in the book, he recounts the farm’s many early contributions to the counterculture, and later the farm’s devolution at the hands of competing farm-family factions, inviting us to question the balance between idealism and effectiveness. “For today’s young,” says Tom Hayden, author of The Long Sixties, “the economic future is far more bleak and global warming an unprecedented threat. Out of necessity, many will be searching for meaningful forms of communal self-sufficiency, healthful food, and renewable energy. Tom Fels’ captivating and profound reflection on one earlier commune, Montague Farm, founded in the 1960s, offers hard-learned reflections, some practical, some eternal, from a time when communes were the chosen path of many.” In the first hour of the colloquium Fels will read from Buying the Farm. There will be a question and answer period following the reading.
Mark Tribe is part of the next generation to be inspired by sixties activism. His Port Huron Project (2006-2009) is a series of reenactments of protest speeches from the New Left movements of the Vietnam era. Enacted at the site of the original event, each speech was delivered by an actor or performance artist. Videos of these performances have been screened on campuses, exhibited in art spaces, and distributed online as open-source media. As Julia Bryan-Wilson wrote in Artforum, in January 2008, “More than just recovering the past, these re-speaking projects use archival speeches to ask questions about the current place of stridency and forceful dissent, and the possibilities of effective, galvanizing political discourse.” In bringing the words of Cesar Chavez, Angela Davis, Stokely Carmichael, and others to the public through contemporary media, Tribe, in this portion of his work, creatively recycles earlier activism to relate it to issues of today. In the second hour of the colloquium, Tribe will show and discuss some of his work.
Colloquium 2012: Part I (Tue. Oct. 2)
Delevingne will discuss the mass media’s role in the nuclear power issue and his own responsibility before and after the Three Mile Island accident and Chernobyl disaster. Anna Gyorgy will discuss citizen action and democracy, with international examples based on her work with the Clamshell Alliance, and, more recently, with the strong German anti-nuclear/pro-solar movements.
New England was an epicenter of the antinuclear movement of the 1970s and 1980s. Sparked by the proposed construction of nuclear power plants in Montague, Massachusetts, and Seabrook, New Hampshire, a grass-roots movement blossomed in the region, drawing on a long tradition of non-violent political protest. Shortly after arriving in the United States from his native France in 1975, the photojournalist Lionel Delevingne began covering the antinuclear movement, including the history of civil disobedience and occupation at Seabrook, the aftermath of the Three Mile Island disaster, and other protests from New York to South Carolina and Europe.
Delevingne is the co-author of Drylands, a Rural American Saga (University of Nebraska Press, 2011); Northampton: Reflections on Paradise (Nouveau Monde Press, 1988); and Franco-American Viewpoints (Nouveau Monde Press/Wistariahurst Museum, 1988). His work has been exhibited frequently in the U.S. and abroad and published widely in the mainstream and alternative press, including the New York Times, Newsweek, Mother Jones, Vanity Fair, Le Figaro Magazine, and Die Zeit. Delevingne has participated in many award-winning projects sponsored by National Endowment of the Arts/Humanities (NEA), Massachusetts Endowment for the Humanities, University & College Designers Association (UCDA), University Professional & Continuing Education Association (UPCEA), and Council for Advancement and Support of Education (CASE).
Anna Gyorgy was active in the early movement against nuclear power, and is the author-editor of the classic work NO NUKES: Everyone’s Guide to Nuclear Power (South End Press, 1979/1981). She is in the process of returning to the U.S. after 25 years abroad, where she has since 1999 coordinated the multi-lingual website project: “Women and Life on Earth” (www.wloe.org).
The related exhibit “To the Village Square” includes some of the movement’s most memorable images, shot by Delevingne, along with materials drawn from the rich anti-nuclear collections held in the UMass Amherst Libraries’ Department of Special Collections and University Archives.
Colloquium 2011
Social justice activist Tom Weiner will give a talk on his recently published book Called to Serve: Stories of Men and Women Confronted by the Vietnam War Draft. The book is the fruit of years of extensive interviews with chapters for people who made different choices among the available options: to serve, to resist, to leave the country, to become a conscientious objector, or to find a way around the draft altogether as well as a chapter for those who loved, counseled and supported. His presentation will include several of his interview subjects who will share parts of their testimonies. Weiner recently donated the tapes of the interviews and the transcripts to Special Collections and University Archives.
