Born in Springfield in 1960 and raised in the Pioneer Valley, Mark A. Baszak received a bachelors degree in music composition and MEd. from UMass Amherst. Beginning shortly after completing graduate study, Baszak played a prominent part for over two decades in promoting the arts at his alma mater, serving as Acting Director of the Performing Arts Division (1987-1989), Coordinator and then Director of the Jazz in July program (1990-2008), Associate Director of Multicultural Programs (1993), and organizer of the Black Musicians Conferences and Festival (1989-1999). As an arts and culture representative of the Massachusetts Hokkaido Sister State Association in the early 1990s, Baszak helped foster exchanges between the sister states, visiting Hokkaido with the first official state delegation in 1991. Baszak died after a brief illness on September 25, 2008.

Documenting the early efforts to build upon the 1990 designation of Hokkaido and Massachusetts as sister states, the Baszak collection includes materials concentrated on the first Hokkaido Week in Amherst and the delegation that accompanied Gov. William Weld to Hokkaido in 1991. In addition to correspondence and memos, the collection includes ephemera collected by Baszak during the various ceremonies and transcripts of speeches delivered.

Composer and presently the Professor of Composition and Director of the Electronic and Computer Music Studios of the University of Massachusetts Amherst who has taught at Juilliard School of Music and numerous other universities, won international awards for his music, and collaborated with contemporary installation artists. Includes scores and sound recordings for two of his compositions, Suite for Alto Saxophone and Percussion and In the Shell of the Ear, as well as correspondence, concert programs, and reviews all relating to the publication and performance of the works.

Composer and professor of music, University of Iowa and University of Massachusetts Amherst.

Correspondence, scores and parts for instrumental and vocal compositions, sound recordings, programs and posters for performances of Bezanson’s works (1951-1980), sound recordings and other papers relating to development, performance, and publication of Bezanson’s compositions. Includes papers related to the development of the opera Golden Child, broadcast on national television and written in collaboration with Paul Engle; and score of the opera Stranger in Eden, with libretto by William R. Reardon.

Katherine and Kenneth Irey

Born in 1908 to Louis and Sarah Kessel Burgett, Katherine grew up on the family farm outside of Oquawka, Illinois. In 1924 her parents purchased their own farm in Monmouth, which they later lost due to the devastating impact of the Depression on agriculture, and it was there that she first met her future husband, Kenneth Monroe Irey, a student at Monmouth College. The newlyweds moved to New Jersey in 1931 where Kenneth was transferred for work. As a chemical engineer, Kenneth enjoyed a successful career and comfortably supported his wife and two children. Retiring in 1970, he and Katherine spent their later years pursuing two passions: traveling and bird-watching. Kenneth and Katherine’s eldest daughter, June Irey Guild, spent most of her adult life in Massachusetts where she has married twice, raised six children, and operated her own business. During her retirement years, June focused on preserving her family’s history by collecting letters and recoding family narratives.

The Burgett-Irey Family Papers chronicle the changes that many twentieth-century American families experienced as the nation descended into an economic depression, entered into a world war, and emerged as one of the most powerful countries in the world. The collection, which will continue to grow, includes approximately 65 letters between Katherine Burgett Irey and her family. Most of the letters exchange family updates, particularly precious after Katherine relocated to New Jersey. Among the earliest letters is an account of Katherine and Kenneth’s first meeting described as “fast work,” since he asked her out on the spot. Also included are autobiographical writings by Kenneth describing his cross-country trip to California in 1927 and a brief history of his life and career.

Robert Francis, by Frank A. Waugh, Nov. 1939

The poet and essayist Robert Francis settled in Amherst, Mass., in 1926, three years after his graduation from Harvard, and created a literary life that stretched for the better part of half a century. An associate of Robert Frost and friend of many other writers, Francis occasionally worked as a teacher or lecturer, including a brief stint on the faculty at Mount Holyoke College, but he sustained himself largely through his writing, living simply in “Fort Juniper,” a cottage he built on Market Hill Road in North Amherst. A recipient of the Shelley Award (1939) and the Academy of American Poets award for distinguished poetic achievement (1984), Francis was a poet in residence at both Tufts (1955) and Harvard (1960) Universities. He died in Amherst in July 1987.

The Francis Papers contains both manuscript and printed materials, drafts and finished words, documenting the illustrious career of the poet. Of particular note is Francis’s correspondence with other writers, publishing houses, and readers, notably Paul Theroux. Also contains personal photographs and Francis family records and a small number of audio recordings of Francis reading his poetry. Letters from Francis to Regina Codey, 1936-1978, can be found in MS 314 along with two typescript poems by Francis.

In 1841, George H. Gilbert and Charles A. Stevens formed a partnership to manufacture broadcloth and cloaking in Ware, Massachusetts. Ten years later, the partnership dissolved and each partner carried a part of the business into separate establishments. The newly formed George H. Gilbert Company continued making high-grade woolen flannels, for which it developed a national reputation, until 1930.

Records, consisting of correspondence, financial records and cash books, construction contracts, sales lists, production records, and sample books, document the operation of Gilbert and Stevens and later the Gilbert Company for almost a century. The labor accounts (1851-1930), document the phases of the varying ethnic composition of the workforce — Irish, French-Canadian, and eventually Polish — well as the family orientation of the mills.

Walker Gibson

Walker Gibson, a professor of English at the University from 1967 to 1987, was a passionate teacher of writing and rhetoric and author of humorous verse. Gibson was born in Jacksonville, Florida in 1919 but was raised in Albany, New York. He earned his B.A. from Yale in 1940 and began graduate work at Harvard, however, his studies were interrupted by World War II, where he served in the U.S. Army Air Corps. After the War, Gibson earned his M.A. from the University of Iowa, where he was a research assistant for the Iowa Writers Workshop. For the next twenty years, Gibson taught English and writing at Amherst College and published prose and his signature humorous verse in the New Yorker, Atlantic, Harpers, and the New York Times Magazine among others. Gibson also published several books, including collections of verse, as well as prose works on writing, teaching composition, and literary criticism. Gibson died at the age of 90 in February, 2009.

The Walker Gibson Papers document the writer and teacher’s career through published and unpublished early writings during his years at Yale, binders including his published writings from the 1950s, correspondence with Theodore Baird, his supervisor at Amherst College, and lecture notes from his University writing and English classes. Completing the collection are three folders of miscellaneous correspondence and a folder of Gibson’s unpublished manuscripts from the late seventies and early eighties.

A member of the Massachusetts State College Class of 1936, Leonta Gertrude Horrigan was affiliated with UMass Amherst throughout her long career in academia. After receiving he MA from Smith College in 1942 for a thesis on DeQuincy and Milton, Horrigan taught creative writing, composition, among writing classes, to UMass undergraduates, and was frequently singled out as a favorite instructor on campus. In 1964, she was appointed Assistant Dean in the College of Arts and Sciences, and retired to emeritus status in 1986.

The Horrigan Papers contain nearly a half century record of instruction in writing education at UMass, with a wide array of other materials relating to Horrigan’s varied interest, events on campus, and to the evolution of the university in the post-war years.

Tent caterpillar

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

Charles H. Patterson.
Photo by Frank A. Waugh, 1926

For many years, Charles H. Patterson served as head of the Department of Language and Literature at Massachusetts Agricultural College. Born in Smithsonville, Ont., in 1863, Patterson received both a BA (1887) and MA (1893) from Tufts University before launching his teaching career. He joined the faculty at MAC as an assistant professor of English, in 1916, after 13 years at West Virginia University. A former professional actor, he taught courses in modern literature, with a particular interest in drama, and served as department chair for nearly a decade before his sudden death in 1933.

The Patterson Papers contain a small selection of correspondence and notes on English composition and literature as taught at Massachusetts Agricultural College. Most noteworthy, perhaps, is a draft of Patterson’s unpublished book, The Amazing Boucicault.