Special Collections & University Archives University of Massachusetts Amherst Libraries

Results for: “Durand, Carroll” (10 collections)
SCUA

Carroll, Lucius W.

Lucius W. Carroll Ledger, 1841-1862.
1 vol. (0.25 linear feet).
Call no.: MS 245 bd

Businessman in several partnerships in south-central Worcestor county who owned a general store in Webster, Massachusetts. Includes lists of partners (such as John P. Stockwell of Stockwell and Carroll), yearly salaries and profits, accounts of what he sold and how he was paid, lists of individual customers and manufacturing companies, and labor accounts of workers. Also contains an alphabetical index to the ledger and several pages of notes receivable and notes payable.

Subjects
  • Barter--Massachusetts--History--19th century
  • Dudley (Mass.)--Economic conditions--19th century
  • Dudley Woolen Manufacturing Company (Dudley, Mass.)
  • General stores--Massachusetts
  • Merchants--Massachusetts--Economic conditions--19th century
  • Shopping--Massachusetts--History--19th century
  • Slater, George
  • Stockwell & Carroll
  • Union Mills (Webster, Mass.)
  • Uxbridge (Mass.)--Economic conditions--19th century
  • Webster (Mass.)--Economic conditions--19th century
  • Webster Woolen Mills (Webster, Mass.)
Contributors
  • Carroll & Crosby
  • Carroll, Lucius W
Types of material
  • Account books

Double Edge Theater

Double Edge Theatre Records, 1970-2002.
28 boxes (15.5 linear feet).
Call no.: MS 455

Bold Stroke for a Wife
Bold Stroke for a Wife

Since its founding, Double Edge Theatre has embraced a two-fold mission: to develop and promote the highest quality of original theatre performance, and to create a permanent center of performance, practice, training research, and cultural exchange.

The collection documents the Theatre’s focus on research, international collaboration, and the elevation of artistic performance above and beyond stage work into the realm of cultural exchange.

Subjects
  • Experimental theater
  • Theater and society
  • Theatrical companies--Massachusetts
Contributors
  • Arnoult, Philip
  • Double Edge Theatre
  • Durand, Carroll
  • Klein, Stacy
  • Odin teatret
  • Staniewski, Wlodzimierz
  • Stowarzyszenie Teatralne "Gardzienice"
Types of material
  • Photographs
  • Posters
  • Programs

Clark, Clarence Carroll

Clarence Carroll Clark Papers, 1909-1981.
2 boxes (1 linear feet).
Call no.: MS 393

Ordained as an Episcopal priest in 1911, Dr. Clark accepted the position of director of the Chapel of the Comforter in Greenwich Village, New York, a mission that abandoned its traditional Christian practices in favor of the teachings of theosophy. A prolific writer and lecturer, Clark stressed in his work the similarities between Eastern and Western religions, and emphasized his belief that unity among religions would bring about a spiritual re-awakening throughout the world. After serving as director of the Chapel of the Comforter for more than forty years, Clark retired in 1950.

Clark’s papers document his career as a professor of English, Episcopal priest, theosophist, and Director of the Chapel of the Comforter. Consisting of correspondence, lecture notes, and his writings, the collection chronicles his religious beliefs as well as his research on Emily Dickinson and her poetry.

Subjects
  • Dickinson, Emily, 1830-1886
  • Religion--United States
  • Theosophy
Contributors
  • Clark, Clarence Carroll

Activism of the 1980s

Activism of the 1980s Photograph Collection, 1985-1987.
(0.5 linear feet).
Call no.: PH 012

During the academic year 1986-1987, the campus at UMass Amherst was a hotbed of political protest, fueled in part by the US intervention in Central America. The arrival on campus of a CIA recruiting officer in November set off a string of demonstrations that attracted the support of activists Abbie Hoffman and Amy Carter, daughter of former president Jimmy Carter. The occupation of the Whitmore Administration Building was followed by a larger occupation of adjacent Munson Hall, resulting in a number of arrests. Hoffman, Carter, and eleven co-defendants were tried and acquitted on charges of disorderly conduct were tried in April 1987.

The Collection contains 61 mounted photographs of marches, demonstrations, and protests in Amherst and Northampton, Mass., taken by Charles F. Carroll, Byrne Guarnotta, and Libby Hubbard, all students at UMass Amherst. The photographs are a vivid record of campus and community activism, and particularly the mobilization against the CIA and American intervention in Central America, as well as the arrest and trial of Abbie Hoffman and Amy Carter.

Subjects
  • Amherst (Mass.)--Photographs
  • Anti-apartheid movements--Massachusetts
  • CIA on Trial Project (Amherst, Mass.)
  • Carter, Amy
  • Central America--Foreign relations--United States
  • Demonstrations--Massachusetts
  • Hoffman, Abbie
  • Northampton (Mass.)--Photographs
  • Student movements
  • United States--Foreign relations--Central America
  • United States. Central Intelligence Agency
  • University of Massachusetts Amherst--Students
Contributors
  • Carroll, Charles F
  • Guarnotta, Byrne
  • Hubbard, Libby
  • Radical Student Union
Types of material
  • Photographs

Greenbie, Barrie B.

Barrie B. Greenbie Papers, 1934-1997.
17 boxes (19.5 linear feet).
Call no.: FS 142

Barrie Greenbie with g-frame model
Barrie Greenbie with g-frame model

Barrie Barstow Greenbie was a key member of the Department of Landscape Architecture and Urban Planning at UMass Amherst from 1970-1989. In a long and remarkably diverse career, Greenbie worked as an artist with the Works Progress Administration, as a soldier and journalist, as a professor of theater, an architect, inventor, author, and landscape planner. After earning a BA in drama from the University of Miami (1953),he worked for several years in the theatre program at Skidmore College. While there, he added architecture to his array of talents, designing the East 74th Street Theater in New York in 1959, and founded a company to produce a “self-erecting” building designed to substitute for summer tent theaters. Two years after joining the faculty at UMass in 1970, he completed a doctorate in urban affairs and regional planning at the University of Wisconsin and continued with a characteristically broad array of creative pursuits, designing the William Smith Clark Memorial, among other things, and conducting an extensive aerial survey of the landscapes of the Connecticut River Valley. In monographs such as Design for Diversity and Spaces: Dimensions of the Human Landscape, Greenbie examined the interactions between humans and nature. He died at his home on South Amherst in 1998.

The Greenbie Papers document a long career as academic, writer, artist, architect, and theatrical designer. Of particular note is the extensive and engrossing correspondence, which extends from Greenbie’s years as a student at the Taft School in the late 1930s through his World War II service with the Sixth Army in the South Pacific and Japan, to his tenure at UMass Amherst (1970-1989). The collection also includes a small, but interesting correspondence between Greenbie’s parents (1918-1919).

Subjects
  • University of Massachusetts Amherst--Faculty
  • University of Massachusetts Amherst. Department of Landscape Architecture and Regional Planning
  • World War, 1939-1945
Contributors
  • Greenbie, Barrie B

International Union of Electrical, Radio and Machine Workers. Local 206

IUERMW Local 206 Records, 1936-1986.
30 boxes (14.5 linear feet).
Call no.: MS 132

Union that represented workers at the American Bosch plant in Springfield, Massachusetts, affiliated with the International Union of Electrical, Radio and Machine Workers after 1949.

Records include by-laws, minutes of the Executive Board, General Council, and Membership meetings, correspondence, membership reports, grievance and arbitration records, contract negotiation proposals and counter-proposals, strike materials, and publications documenting the administration, activities, and membership of Local 206. Effects of changing national economy and international trade on workers and union affairs, through time, are evident.

Subjects
  • American Bosch--History
  • Collective bargaining--Machinery industry--Massachusetts --Springfield
  • Industrial relations--Massachusetts--Springfield
  • International Union of Electrical, Radio and Machine Workers. Local 206 (Springfield, Mass.)
  • Labor unions--Massachusetts--Springfield
  • Machinists--Labor unions--Massachusetts--Springfield
  • Metal-working machinery industry--Massachusetts --Springfield
  • Plant shutdowns--Massachusetts--Springfield
  • Springfield (Mass.)--Economic conditions
  • Springfield (Mass.)--Industries
  • Strikes and lockouts--Machinery industry--Massachusetts --Springfield
  • United Electrical, Radio and Machine Workers of America. Local 206 (Springfield, Mass.)
Types of material
  • Letters (Correspondence)

MacLeish, Archibald

Archibald MacLeish Papers, 1938-1982.
1 box (0.25 linear feet).
Call no.: MS 494

American poet, writer, and Librarian of Congress, Archibald MacLeish was associated with the modernist school of poetry and awarded the Pulitzer Prize three times. The collection features a manuscript of “An Evening’s Journey To Conway, Massachusetts,” written to commemorate the bicentennial anniversary of the town, as well as correspondence with Kenneth Murdoch documenting their friendship over three decades.

Subjects
  • Poets--Massachusetts
Contributors
  • MacLeish, Archibald

Mange, Arthur P.

Arthur P. Mange Photograph Collection, 1965-2010.
3 boxes (4.5 linear feet).
Call no.: PH 044

Tent caterpillar
Tent caterpillar

Arthur P. Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights — Big and Small, Mange’s most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center.

His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls “whimsical signs,” and attention-grabbing shadows.

Subjects
  • Amherst (Mass.)--Pictorial works
  • Cemeteries--Pictorial works
  • Hadley (Mass.)--Pictorial works
  • New England--Pictorial works
  • New Salem (Mass.)--Pictorial works
  • New York (N.Y.)--Pictorial works
Types of material
  • Photographs

Nanney, David Ledbetter, 1925-

David Ledbetter Nanney Papers, 1948-2008.
13 boxes (6.5 linear feet).
Call no.: MS 592

Tracy M. Sonneborn
Tracy M. Sonneborn

The experimental ciliatologist David L. Nanney spent much of his career studying the protozoan Tetrahymena. Under Tracy M. Sonneborn at Indiana University, he completed a dissertation in 1951 on the mating habits of Paramecium, but soon after joining the faculty at the University of Michigan, he turned his attention to Tetrahymena. During his subsequent career in Ann Arbor (1951-1959) and at the University of Illinois (1959-1991), Nanney made a series of fundamental contributions to the cytology, genetics, developmental biology, and evolution of ciliates, influencing the work of other biologists such as Joe Frankel, Janina Kaczanowska, Linda Hufnagel, and Nicola Ricci. Since his retirement in 1991, Nanney has remained in Urbana.

The Nanney Papers include a dense run of professional correspondence with ciliatologists, geneticists, students and colleagues regarding his pioneering research on ciliates and other professional matters. Of particular note is an extensive correspondence with Sonneborn, accompanied by several biographical essays written after Sonneborn’s death, and a large body of correspondence of the controversial reorganization of the biological sciences departments at the University of Illinois in the 1970s. The collection also includes a selection of Nanney’s writings and a handful of photographs.

Subjects
  • Developmental biology
  • Evolution (Biology)
  • Protozoans--Genetics
  • Tetrahymena--Genetics
  • University of Illinois--Faculty
Contributors
  • Allen, Sally
  • Bleyman, Lea K
  • Corliss, John O
  • Frankel, Joseph, 1935-
  • Kaczanowski, Andrzej
  • McKoy, J. Wynne
  • Nanney, David Ledbetter, 1925-
  • Nyberg, Dennis Wayne, 1944-
  • Orias, Eduardo
  • Ricci, Nicola
  • Siegel, Richard
  • Sonneborn, T. M. (Tracy Morton), 1905-

National Endowment for the Arts

National Endowment for the Arts Collection, 1965-2009.
5 boxes (7.5 linear feet).
Call no.: MS 686

Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector.

In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA allowed SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, reports on the status of the arts, histories of the organization, and much more. All items are cataloged in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.

Subjects
  • Art and State
  • Arts--Management
  • Government aid to the arts
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