Collection documenting Polish American culture, language, and history consisting of newspapers and news clippings, programs for Polish religious and cultural events, newsletters of Polish American organizations, and Polish publications including religious works and language textbooks.
The collection contains posters and broadsides from the Massachusetts towns that were flooded to create the Quabbin Reservoir. Posters advertise the Enfield Fire Department farewell ball, voter registration notice, and plays performed by the North Dana Dramatic Club.
The collection consists of five maps prepared by the Massachusetts Metropolitan District Water Supply Commission of the anticipated site of the Quabbin Reservoir, some with hand-written notations, and one map showing the route of Boston’s water supply.
Collection of clippings from Quabbin town newspapers, including Dana, Enfield, Greenwich, Millington, and Prescott. Many clippings chronicle the final days of the towns razed to make way for the reservoir, including the popular series “Letters from Quabbin” published in The Springfield Union in 1938, which recorded the history of the formation of the Quabbin Reservoir from the selection of its location and the plans for its construction to the relocation of houses and neighbors and the disbanding of local organizations and communities.
After receiving her B.S. from Massachusetts State College in 1941 and M.S. in microbiology from UMass in 1957, Iona Mae Reynolds embarked upon a teaching career of over 30 years in the Stockbridge School of Agriculture, later serving as the school’s Assistant Director. In 1985 Reynolds was awarded the Chancellor’s Medal for her service to the University as a faculty member and her many years on the associate alumni Board of Directors.
The Reynolds Papers include reunion materials, photographs, and writings, as well as a small collection of UMass memorabilia.
A folklorist at Indiana University Kokomo for many years, Susanne S. Ridlen is noted for her research on grave markers in the Midwest. Her dissertation at Indiana University was on tombstones carved to mimic tree-stumps, a rustic form of funerary monument that enjoyed a vogue during the late nineteenth century. Ridlen’s research culminated in publication of her book Tree-Stump Tombstones: A Field Guide to Rustic Funerary Art in Indiana (Kokomo, 1999).
The Ridlen collection provides an extensive visual record of tree-stump tombstones in Indiana. Organized by county, town, and cemetery, the collection typically includes several views of each marker along with documentation of the individual(s) interred, the date of creation, inscriptions, and any other design motifs employed. These images and data form the basis for Ridlen’s Tree-Stump Tombstones.
Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.
The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.
Emanuel Rubin was a professor of Musicology and Judaic Studies at UMass Amherst from 1986 until his death in 2008. From 1986-1987 he served as Head of the Department of Music and Dance. In addition to teaching, he performed frequently as a soloist and an ensemble member on the French horn, Viola da Gamba, and as a choral member. He actively conducted and composed works for solo performers and ensembles. Rubin was originally from Pittsburgh, and attended Carnegie Mellon University for his undergraduate work. He received a Master’s Degree in Music composition from Brandeis University, and a doctorate in musicology from University of Pittsburgh. Prior to arriving at UMass Amherst, he taught at Ball State University, University of Milwaukee Wisconsin, and Bowling Green State University. His research interests were the relationship between Judaism and music, and the history of glees, which was the topic of his doctoral dissertation.
The Emanuel Rubin Papers contain records of extensive research in the area of Georgian glees, including historical background, scores, lyrics, and correspondence regarding the research. The collection also includes programs and newspaper clippings from many of Rubin’s performances throughout his career, manuscripts of his publications and compositions, as well as some teaching materials and course information from his time at UMass.
The Department of Special Collections and University Archives of the UMass Amherst Libraries (SCUA) supports research on social change; innovation and entrepreneurship; the histories and cultures of New England; and the past, present, and future of the University of Massachusetts. This interactive catablog, UMarmot, contains descriptions of all manuscript, archival, and photographic collections held by the department.
Credo, SCUA’s online digital repository, contains over 85,000 items drawn from the papers of W.E.B. Du Bois and several other collections.
For nearly 30 years, Fred C. Sears served as Professor of Pomology at the Massachusetts Agricultural College. Born in Lexington, Mass., in 1866, Sears was raised on the Kansas prairies and educated at Kansas State College. After graduating in 1892, he taught horticulture in Kansas, Utah, and Nova Scotia before returning to Massachusetts and to MAC in 1907. The author of three textbooks and numerous articles on fruit culture and orcharding, he also developed the successful Bay Road Fruit Farm with his colleagues Frank A. Waugh and E.R. Critchett. Sears died at his home in Amherst in October 1949.
In addition to several offprints, the collection contains a set of articles written by Sears for the Country Gentleman bound with editorial correspondence; the well-edited original manuscripts of Sears’ textbooks Productive Orcharding (1914) and Productive Small Fruit Culture (1920), including correspondence, reviews, and photographs; Reports of the Massachusetts Fruit Growers Association (1911-1912, 1914-1916), and editions of Productive Orcharding (1927) and Fruit Growing Projects (1912) bound with Japanese titles.
