Founded in 1975 by a group of Gilbert and Sullivan devotees, the Valley Light Opera is based in Amherst, Massachusetts. VLO presents one fully staged opera and one less formal production every year, and over the years the company has presented all fourteen of the Gilbert and Sullivan operas at least once.

This collection contains a wonderful visual record of VLO productions with literally hunderds of photographs capturing dozens of performances. The collection contains, too, records that document the company’s activities from the moment an opera is selected to be performed to last curtain call.

The Valley Women’s Union was established in 1974 by members of the Valley Women’s Center, Northampton, Massachusetts, who were committed to political change benefiting women. They were concerned that the Valley Women’s Center had become a static umbrella organization and that many of its formerly vital functions had been absorbed by local social service agencies The VWU sought to unify groups that were working for political change beneficial to women.

Records include newsletters, agendas for meetings, reports, position papers, and mailings.

Tinsmith and plumber from Stockbridge, Massachusetts. Mentions items he repaired and cleaned (stoves, furnaces, pots, pans, tinware, glassware, and crockery), goods sold (lamps, wash basins, kitchen utensils, shovels, fuel, and furnaces), occasional mention of payment with goods, lists of suppliers, and lists of customers, many of whom were prominent people in the community.

The Vietnamese Students Association hosted a Vietnamese New Year celebration at the Campus Center of the University of Massachusetts Amherst on February 20, 1985. Collection contains twelve photographs and a program listing sponsors, speakers, performers, the sequence of events, descriptions of ancestor worship, the legend of the earth and the sky cakes, the menu, and some song lyrics.

William “Cap’n Bill” Vinal was the first instructor in nature education at Massachusetts State College and a pioneer in the field. A graduate of Bridgewater State (1904), Harvard (MA 1907) and Brown (PhD, 1922), Vinal worked for several years as a camp director on his native Cape Cod and held a variety of university appointments in nature education before joining the faculty at Massachusetts State College as Professor of Nature Education in the Nature Guide School in 1937. Spontaneous in the classroom and field, enthusiastic, and highly popular with his students, Vinal taught courses in conservation, outdoor leadership, outdoor recreation, and nature guiding, and was an important figure in the Massachusetts Audubon Society, the American Camping Association, the Camp Directors Association, and several conservation groups. After retiring from UMass in 1951, Vinal returned to his home in Norwell, Mass., remaining active as a nature writer and teacher until his death in 1973.

A valuable glimpse into the early growth of nature and conservation education, the Vinal collection includes dozens of scarce publications by the exceptionally prolific Cap’n Bill, along with a small quantity of correspondence, talks, and reports. As a collection, these document the origin and growth of the Nature Guide School and the program in nature recreation at MSC and UMass, and more generally the growth of nature, recreation, and conservation education in New England. Of local interest is an extensive report for the town of Amherst Recreation Survey Committee (1948) regarding recreational opportunities for youth. Nearly half of the collection consists of an extensive run of Vinal’s quirky, self-published Nature Guide Newsletter (1935-1951).

Walther R. Volbach

Born in Mainz, Germany on December 24, 1897, the theater historian and stage director Walther R. Volbach began directing operas and plays at the age of 17. After his immigration to the United States in 1936, he worked for several colleges, coming to the University of Massachusetts Amherst for five years as a visiting professor following his retirement in 1965. Noted as a director of operas and plays and for his set design, Volbach was author of three books: The Problems of Opera Production (1953), Adolphe Appia : The Prophet of The Modern Theatre (1968), and Memoirs of Max Reinhardt’s Theaters (1972).

The Volbach collection includes personal and professional correspondence in English and German, mostly from Volbach’s later years, regarding family, publishing, lectures, and employment. The collection also includes photographs of set designs, an image of Volbach teaching a class, publications, and lecture and research notes on theater history.

Du Bois and Mao Tse Tung, 1959

The Department of Special Collections and University Archives and the Department of Afro-American Studies at UMass Amherst co-sponsor an annual colloquium to commemorate W.E.B. Du Bois. Timed to coincide with the anniversary of his birth (February 23), the departments invite a distinguished Speaker to discuss Dr. Du Bois’ life, work, and legacy.

Speaker: Arnold Rampersad

Department of English, Stanford University

A distinguished biographer and literary critic, Arnold Rampersad is the Sara Hart Kimball Professor in the Humanities and Professor of English at Stanford University. A scholar of race and American literature and the Harlem Renaissance, Rampersad has written books on W.E.B. Du Bois, Langston Hughes, and most recently, Ralph Ellison. He has been elected a member of the American Academy of Arts and Sciences and the American Philosophical Society, and was a 1991 recipient of a MacArthur “genius grant.” He is a recipient of fellowships from the John D. and Catherine T. MacArthur Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the Rockefeller Foundation.

Professor Rampersad has recently published Ralph Ellison, a biography of the novelist (1914-1994). His other books include The Art and Imagination of W.E.B. Du Bois (1976); The Life of Langston Hughes (2 vols., 1986, 1988); Days of Grace: A Memoir (1993), co-authored with Arthur Ashe; and Jackie Robinson: A Biography (1997). In addition, he has edited several volumes including Collected Poems of Langston Hughes; the Library of America edition of works by Richard Wright, with revised individual editions of Native Son and Black Boy; and (as co-editor with Deborah McDowell) Slavery and the Literary Imagination. He was also co-editor, with Shelley Fisher Fishkin, of the Race and American Culture book series published by Oxford University Press. His teaching covers such areas as nineteenth and twentieth-century American literature; American autobiography; race and American literature; and African-American literature.

Speaker:James Turner

Africana Studies and Research Center, Cornell University

Poster (pdf)

Speaker: Clayborne Carson

Stanford University, editor, Papers of Martin Luther King

Press release (pdf)

Speaker: Robert Hill

UCLA, editor, Papers of Marcus Garvey

Press release (Word file)

Speaker: John H. Bracey

Afro-American Studies, UMass Amherst

Panelists:

Horace Clarence Boyer

Music, UMass Amherst

Esther Terry

Afro-American Studies, UMass Amherst

Phil Zuckerman, “Du Bois, Religion, and The Souls of Black Folk“

Sociology, Pitzer College

David Blight, “A Poet’s Sense of the Past: The Souls of Black Folk as History”

History, Yale University

Ernest Allen, “The Education of Black Folk: The Educational Philosophies of W.E.B. Du Bois”

Afro-American Studies, UMass Amherst

Gerald Friedman, “Reconstructing the Color Line: The New Economics of Race in the Post-bellum South”

Economics, UMass Amherst

Panelists:

Esther Cooper Jackson

Co-founder, Freedomways

James Jackson

Editor, Daily Worker

Abbott Simon

Executive director, Peace Information Center and co-defendant with Dr. Du Bois

Speaker: David Levering Lewis

History, Rutgers University

Speaker: Ruth Simmons

President, Smith College

Speaker: Ernest Allen

Afro-American Studies, UMass Amherst

Speaker: Randolph W. Bromery

President, Springfield College and former Chancellor, UMass Amherst

Speaker: David Levering Lewis

History, Rutgers University

Panelists:

David Du Bois

William Strickland

Michael Thelwell

Speaker: Herbert Aptheker

Editor, Complete Published Works of W.E.B. Du Bois

Listen to a recording of Aptheker’s lecture.

An avid botanist and naturalist, Mary (Morris) Walker was born in Stamford, Conn., on April 1, 1923, the daughter of renowed surgeon and naturalist Robert Tuttle Morris. After graduating from Vassar in 1944, Morris took her MA in Geology at the University of Michigan, marrying a fellow geologist Eugene H. Walker in 1947. Moving to Kentucky, Iowa, and Idaho before settling in Concord, Mass., in 1968, the Walkers raised three children. In Concord, Walker studied for an MA in library science at Simmons College (1971), but her work in botany and natural history became increasingly important. As a plant collector, writer, and educator, Walker traveled widely in the United States and the Caribbean, and she became a leader in organizations including the New England Wild Flower Society, the New England Botanical Club, the Thoreau Society, and the Appalachian Mountain Club. Walker died in Concord on Oct. 2, 2012.

The Walker Papers are a rich assemblage of materials documenting the life of an energetic amateur botanist. Beginning during her time as a student at Vassar, the collection offers insight into Walker’s growing interest in the natural sciences, her botanizing, and her commitments to several organizations devoted to natural history. The collection also includes a small number of letters and photographs of Walker’s father, Robert T. Morris.

The working class women Ellen Ware and her step-daughter Mary E. lived in North Hadley, Massachusetts, during the mid to late nineteenth century.

This collection of letters documents the older generation’s reaction to the draft during the Civil War and the younger generation’s daily activities, including their education, social events, and the growing temperance movement.

Black cat logo

In July 1917, prior to the American entry in the First World War, Frederick Vail Waugh joined a group of about fifty residents of Amherst, Mass., who enlisted for duty in the Ambulance Service of the French Army. From August 1917 through April 1919, SSU 39 (Service Sanitaire Unis) — redesignated SSU 539 and transferred to the American Expeditionary Service in January 1918 — served among the trenches of northern France and Belgium. Known as the Black Cat squadron, they took part in three major offensives with the AEF, the Aisne-Marne, Oise-Aisne, and Ypres-Lys. Waugh was among three members of the unit awarded the French Croix de Guerre for courage and energy during the last month of the war. After returning to the states, Waugh earned a bachelor’s degree from Massachusetts Agricultural College (1922), where his father Frank A. Waugh was a Professor of Horticulture and Landscape Architecture, followed by an MA from Rutgers (1926) and PhD from Columbia (1929). He enjoyed a distinguished fifty year career as an agricultural economist with the US Department of Agriculture.

A snapshot of life in the First World War, the Waugh collection includes Frederick Waugh’s army jacket (with Croix de Guerre), helmet, and puttees, and a remarkable history of the unit and photo album, Being the Book of S.S.U. 539. A second book, I Was There with the Yanks in France (1919) has been transferred for shelving to the Rare Books stacks.