Since the arrival of the first class of students at Massachusetts Agricultural College in 1867, the student body at UMass has grown to over 20,500 undergraduates and nearly 6,000 graduate students.

Record Group 45 includes the collected records of student activities at UMass Amherst, from student publications and organizations (fraternities and sororities, unions, and honorary societies) to records of student government, student protests, and religious and social groups. Also included are class notes and correspondence of some individual students while enrolled in the University.

Established under the Morrill Land Grant Act of 1863, the Massachusetts Agricultural College began with four faculty members and 56 students distributed among four wooden buildings and acres of farms, orchards, and fields. In keeping with the progressive educational principles of its early years, the College offered advanced instruction in the eminently practical pursuit of agriculture, while its fellow land grant college, MIT, covered the mechanical arts. Although “Mass Aggie’s” fortunes waxed and waned, it grew to become Massachusetts State College in 1931, and the University of Massachusetts in 1947.

Among the official publications of the University in Record Group 1 are institutional histories, annual reports, special reports, minutes, directories, catalogs, newsclippings, press releases, and memorabilia.

Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Du Bois and Mao Tse Tung, 1959

The Department of Special Collections and University Archives and the Department of Afro-American Studies at UMass Amherst co-sponsor an annual colloquium to commemorate W.E.B. Du Bois. Timed to coincide with the anniversary of his birth (February 23), the departments invite a distinguished Speaker to discuss Dr. Du Bois’ life, work, and legacy.

Speaker: Arnold Rampersad

Department of English, Stanford University

A distinguished biographer and literary critic, Arnold Rampersad is the Sara Hart Kimball Professor in the Humanities and Professor of English at Stanford University. A scholar of race and American literature and the Harlem Renaissance, Rampersad has written books on W.E.B. Du Bois, Langston Hughes, and most recently, Ralph Ellison. He has been elected a member of the American Academy of Arts and Sciences and the American Philosophical Society, and was a 1991 recipient of a MacArthur “genius grant.” He is a recipient of fellowships from the John D. and Catherine T. MacArthur Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the Rockefeller Foundation.

Professor Rampersad has recently published Ralph Ellison, a biography of the novelist (1914-1994). His other books include The Art and Imagination of W.E.B. Du Bois (1976); The Life of Langston Hughes (2 vols., 1986, 1988); Days of Grace: A Memoir (1993), co-authored with Arthur Ashe; and Jackie Robinson: A Biography (1997). In addition, he has edited several volumes including Collected Poems of Langston Hughes; the Library of America edition of works by Richard Wright, with revised individual editions of Native Son and Black Boy; and (as co-editor with Deborah McDowell) Slavery and the Literary Imagination. He was also co-editor, with Shelley Fisher Fishkin, of the Race and American Culture book series published by Oxford University Press. His teaching covers such areas as nineteenth and twentieth-century American literature; American autobiography; race and American literature; and African-American literature.

Speaker:James Turner

Africana Studies and Research Center, Cornell University

Poster (pdf)

Speaker: Clayborne Carson

Stanford University, editor, Papers of Martin Luther King

Press release (pdf)

Speaker: Robert Hill

UCLA, editor, Papers of Marcus Garvey

Press release (Word file)

Speaker: John H. Bracey

Afro-American Studies, UMass Amherst

Panelists:

Horace Clarence Boyer

Music, UMass Amherst

Esther Terry

Afro-American Studies, UMass Amherst

Phil Zuckerman, “Du Bois, Religion, and The Souls of Black Folk“

Sociology, Pitzer College

David Blight, “A Poet’s Sense of the Past: The Souls of Black Folk as History”

History, Yale University

Ernest Allen, “The Education of Black Folk: The Educational Philosophies of W.E.B. Du Bois”

Afro-American Studies, UMass Amherst

Gerald Friedman, “Reconstructing the Color Line: The New Economics of Race in the Post-bellum South”

Economics, UMass Amherst

Panelists:

Esther Cooper Jackson

Co-founder, Freedomways

James Jackson

Editor, Daily Worker

Abbott Simon

Executive director, Peace Information Center and co-defendant with Dr. Du Bois

Speaker: David Levering Lewis

History, Rutgers University

Speaker: Ruth Simmons

President, Smith College

Speaker: Ernest Allen

Afro-American Studies, UMass Amherst

Speaker: Randolph W. Bromery

President, Springfield College and former Chancellor, UMass Amherst

Speaker: David Levering Lewis

History, Rutgers University

Panelists:

David Du Bois

William Strickland

Michael Thelwell

Speaker: Herbert Aptheker

Editor, Complete Published Works of W.E.B. Du Bois

Listen to a recording of Aptheker’s lecture.

Educator, rhetorician, author, President of the Speech Association of America in 1954, and Professor of Speech at the University of Massachusetts Amherst from 1968-1973.

Includes the accumulated research notes and materials written and used by Wallace in his career as a teacher and author; drafts, reprints, and proofs of his speeches, papers, articles, and books, both published and unpublished, often with accompanying correspondence, research notes, and/or contracts; lecture notes and classroom materials dating from his years as a student through those as a teacher; drafts and reprints of papers and articles by students and colleagues; correspondence; the reports, memoranda, correspondence, resolutions, agenda, notes on meetings, minutes, committee recommendations, position papers, newsletters, audit reports, budget recommendations, membership lists, itineraries, and programs indicative of his leadership and active participation in the Speech Association of America and other professional organizations, conferences, and university committees.

Transient worker for Seth Porter and Co., a cotton mill in Cummington, Massachusetts and for Wells, Blackinton, and White, manufacturer of fine textiles in North Adams, Massachusetts. Includes accounts of his employers, debits, credits (a running account with a general store for the purchase of clothing and foodstuffs), and notations of providing room and board for other workers.

Valentine, 1919
Kingsbury Family Papers

UMarmot is an online interactive catablog containing information on all manuscript and archival collections held by the Department of Special Collections and University Archives, UMass Amherst Libraries.

What does a UMarmot record contain?

Each UMarmot record contains a brief description of each collection, including the collection name, size, and date range, a brief description of its contents, selected subject terms, and links (when available) to detailed finding aids and other online resources. Each record is also indexed under one or more general subject categories, which may be selected using the drop-down menu on the right side of the page.

Searches in UMarmot cover the complete contents of all records, including the detailed finding aids when available. Finding aids are cross-posted on the Five Colleges Consortium finding aids website.

We welcome comments on collections or the website and thank you for bearing with us while we burrow into the future.

What collections are included in UMarmot?

• Manuscript collections: personal papers, organizational records, and documents
• Papers of faculty, staff, and administrators from UMass Amherst
• University Archives from UMass Amherst
• Photographic collections, some containing thumbnails of the images
• Book collections: overviews at the collection level only. Individual titles are cataloged in the UMass Amherst Libraries’ online catalog.
• Digital collections, including those that are part of manuscript, archival, photographic, or book collections

What is not included in UMarmot?

• Maps (see our online map catalog)
• Individual books and periodicals (see the Du Bois Libraries’ online catalog).
• Individual photographic images (see our online Image galleries and University images search box)
• Archival Collections from UMass Amherst administrative units

What lies behind the UMarmot catablog?

UMarmot originated early in 2007 as an experiment responding to two perceived needs: first, to find a low cost means of maximizing the public availability of our collections; and second, to find a solution that could be shared with colleagues in less technologically-intensive institutions. After completing a comprehensive survey of our holdings and generating standards-compliant, minimal descriptions of each collection, we recognized that the indexing capacity, web-readiness, and familiarity of blogging software made it a good fit for an online catalog — hence “catablog.”

After surveying our options, we selected WordPress blogging software for its superior combination of power, ease of development and maintenance, and flexibility in design. In keeping with our goal of keeping the catablog model accessible to all of our peers, we have limited subsequent development of UMarmot to inexpensive, easily implemented, open source alternatives.

Where can I get help?

If you prefer to discuss your research with our archivists or are unable to locate what you are seeking, please contact our archivists.

One of twelve children of Obadiah and Agnes (Tuttle) Wheeler, Truman Wheeler was born in Southbury, Conn., on Nov. 26, 1741. After completing his education, reportedly at Yale, Wheeler moved north to Great Barrington, Mass., in the spring of 1764. Acquiring property about a mile south of the center of town, he soon established himself as a general merchant trading in silk, fabrics, and a variety of domestic goods.

The Wheeler account book represents the initial years of a thriving, late colonial mercantile business in far western Massachusetts. Beginning in June 1764, not long after Wheeler set up shop in Great Barrington, the account book includes meticulous records of sales of domestic goods ranging from cloth (linen, silks, and osnabrig) to buttons, ribbons, and pins, snuff boxes, a “small bible,” “jews harps,” and tobacco. Among the prominent names that appear as clients are members of the Burghardt and Sedgwick families.

Marshall P. Wilder

A merchant and amateur horticulturalist from Dorchester, Mass., Marshall P. Wilder (1798-1886) was a key figure in American pomology during the mid-nineteenth century and a major supporter of agricultural education. A supreme organizer and institution builder, he was a founder and president of the American Pomological Society and United States Agricultural Society, and president of the Massachusetts Horticultural Society and New England Historic Genealogical Society. His 1849 address before the Norfolk Agricultural Society is often credited as an important catalyst for the creation of the Massachusetts Agricultural College, and he served as trustee of the College from its opening in 1867 until his death in 1886.

The Wilder Collection consists primarily of printed works written or collected by Marshall P. Wilder, including materials pertaining to early meetings of the American Pomological Society and the United States Agricultural Society, his 1849 address to the Norfolk Agricultural Society, and his address to the first graduating class at MAC. Among the handful of manuscripts are a draft proposal to hold a national meeting of fruit growers (the inaugural meeting of the American Pomological Society), two letters regarding his donation of a large number of books to the MAC library, and a bound set of 22 beautiful watercolors of pear varieties painted by Louis B. Berckmans.

An obstetrician from Rutherford, N.J., William Carlos Williams (1883-1963) was a key figure in modernist poetry in the United States. Innovative and experimental in his poetry, Williams was a member of the avant garde poetically and politically, writing in a simple though never simplistic style that was unencumbered by the formalism and literary allusion of peers such as T.S. Eliot and Ezra Pound.

This collection consists of a small group of eleven letters and postcards written by Williams during the years 1946-1962, the majority of which were sent to Marie Leone, a nurse at the Passaic General Hospital in Passaic, New Jersey. In these letters Williams thanks Marie and her coworkers for the cards, good wishes, and gifts they sent to cheer him up. The letters are friendly and humorous even though they are for the most part written from Williams’s hospital bed during one of the frequent illnesses he suffered from in the later years of his life.