Anglin family and friends, ca.1921

Born in Cork, Ireland to a prosperous family, the Anglin siblings began immigrating to Canada and the United States in 1903. The first to relocate to Canada, brothers Will and Sydney pursued vastly different careers, one as a Presbyterian minister and the other as a salesman at a Toronto slaughterhouse. George and Crawford both served in the military during World War I, the former in the British Infantry as a medical officer and the latter in the 4th University Overseas Company first in France and later in Belgium where he died saving the life of a wounded soldier. Gladys Anglin trained as a nurse, but worked in a Canadian department store and at the Railway Office before suffering a mental breakdown and entering the Ontario Hospital as a patient. Ethel remained in Ireland the longest where she taught Domestic Economics at a technical school. The only Anglin to immigrate to the United States and the only female sibling to marry, Ida and husband David Jackson settled in Monson, Massachusetts where they raised four daughters.

The Anglin siblings were part of a close knit family who stayed in contact despite their geographic separation through their correspondence. Siblings wrote and exchanged lengthy letters that document not only family news, but also news of local and national significance. Topics addressed in their letters include World War I, the Irish revolution, medicine, religious ministry, and domestic issues from the ability of a single woman to support herself through work to child rearing.

Lamprey and Dickey business card

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS Ephemera Collections contains a mix of materials relating to gravestones and the slate and marble industries. Most of the items relate to the marble and slate industries in Western Massachusetts and adjacent areas in Vermont and New Hampshire.

Founded in 1977, the Association for Gravestone Studies (AGS) is an international organization dedicated to furthering the study and preservation of gravestones. Based in Greenfield, Mass., the Association promotes the study of gravestones from historical and artistic perspectives. To raise public awareness about the significance of historic gravemarkers and the issues surrounding their preservation, the AGS sponsors conferences and workshops, publishes both a quarterly newsletter and annual journal, Markers, and has built an archive of collections documenting gravestones and the memorial industry.

The AGS Books Collection contains scarce, out of print, and rare printed works on cemeteries and graveyards, epitaphs and inscriptions, and gravemarkers, with an emphasis on North America. The collection is divided into two series: Series 1 (Monographs and Offprints) and Series 2 (Theses and Dissertations).

Collection of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois’s personal life.

George W. Barton was born in Sudbury, Massachusetts in 1896. After attending Concord High School in Concord, Barton began his studies in horticulture and agriculture at Massachusetts Agricultural College in Amherst. The collection includes diaries, scrapbooks, photographs, newspaper clippings, programs, announcements, and his herbarium, and relates primarily to his career at the Massachusetts Agricultural College where he studied horticulture and agriculture from 1914-1918.

Generations of the Bates and Church families based in North Amherst and Ashfield, Massachusetts. Papers include deeds, a will, correspondence, account books (recording day-to-day expenditures on food, clothing, postage, housekeeping supplies, and laborer’s wages), diaries, an oral history, photographs, genealogical notes, and memorabilia related to the family.

Clinton Brann

In 1918, Clinton Melville Tilman Brann, a dentist by training, served with in the 17th Field Artillery of the American Expeditionary Forces in France, a unit cited for gallantry in five critical engagements of the First World War. During his time overseas, Brann maintained an intense correspondence with Rhea Oppenheimer, despite fears that their different religious (he Presbyterian, she Jewish) and family backgrounds would prove an obstacle. After demobilization, Brann returned home and on Sept. 17, 1919, married Rhea. He went on to build a successful practice in dentistry in Iowa, raising a son and daughter. Clinton Brann passed away on Sept 8, 1961, in Orlando, Fla., with Rhea following on December 29, 1987 in Winter Park, Fla.

In two regards, the Brann collection presents an unusual glimpse into families affected by the First World War. First, Brann’s letters home offer a sense of his unusual role in the service, as a junior officer and dentist, and second, his letters are marked by his unusual relationship with Rhea Oppenheimer and their concerns over the future prospects for a mixed marriage. The collection also includes a wealth of photographs of the Branns’ life together, a family scrapbook, and a handful of mementoes and miscellaneous documents.

Broadside 6

A significant African American poet of the generation of the 1960s, Dudley Randall was an even more significant publisher of emerging African American poets and writers. Publishing works by important writers from Gwendolyn Brooks to Haki Madhubuti, Alice Walker, Etheridge Knight, Audre Lorde, Amiri Baraka, Nikki Giovanni, and Sonia Sanchez, his Broadside Press in Detroit became an important contributor to the Black Arts Movement.

The Broadside Press Collection includes approximately 200 titles published by Randall’s press during its first decade of operation, the period of its most profound cultural influence. The printed works are divided into five series, Broadside poets (including chapbooks, books of poetry, and posters), anthologies, children’s books, the Broadside Critics Series (works of literary criticism by African American authors), and the Broadsides Series. . The collection also includes a selection of items used in promoting Broadside Press publications, including a broken run of the irregularly published Broadside News, press releases, catalogs, and fliers and advertising cards.

Brotherhood of the Spirit, 1968-1973

	Michael Metelica at the treehouse: Leyden, Mass., 1968. (Ref. no. car1)
	The treehouse: Blueberry Hill, Leyden, 1968. (Ref. no. car2)
	The Treehouse Gang, Leyden 1968: (L – R) top: Dale Sluter, Chris Garland, Doug Edson, Jim Kolokowski, Eddie Evans, Brian Smith on shoulders, Jim Sullivan. Bottom: Wayne Duda, Gene Lewis (Cricket), Tom Howes. (Ref. no. car3)
	The Founding Mothers, 1969: Micky Shean (?) and baby, Heidi Bushell, Laurel Artus holding Leah Artus, Wendy Crowell. (Ref. no. car4)
	Meditation at Beth Hapgood’ s home at 88 Main St, Northfield, Mass. 1969. (Ref. no. car5)
	Elwood Babbitt, 1970. (Ref. no. car6) Photo by: Gary Cohen
	Heidi Bushell and Michael Metelica reading Lopsang Rampa, early source of spiritual inspiration. Leyden, 1968. (Ref. no. car7)
	Winter scene. Chris Garland, Michael Metelica, unidentified, Dale Sluter, Jim Kolokowski. Heath, 1969. (Ref. no. car8)
	Maple sugaring, Charlemont, Mass. 1969. Gene (Cricket) Lewis, Eddie, Michael. (Ref. no. car9)
	Maple sugaring, Charlemont, 1969. Various visitors and members. (Ref. no. car10)
	Heath, Mass. 1969,. Far left, Nate Tilton and Steve Wolfson. Band is early forerunner to in Flesh. (Ref. no. car11)
	Warwick, Mass. Summer of 1970, photo from Greenfield Recorder newspaper in foreground is Susan Meyer and Jeff Lister. (Ref. no. car12)
	Warwick group shot, summer 1970. Publication unknown. (Ref. no. car13)
	“LOOK” magazine photo. Taken July 1970, published December 1970. (Ref. no. car14)
	Spiritual Graffiti, Warwick main house, 1970-71. Such spontaneously inspired writingswere common during the Warwick era. (Ref. no. car15)
	Concert at St. James Church, Greenfield, Mass. 1970. Robert Hincks and Michael Metelica. This church was one of the few local ones that was welcoming to the Brotherhood and hosted many events and weddings during this period. (Ref. no. car16)
	Members listening to Spirit in Flesh rehearse at Warwick Studio. Note looks of ecstasy on individual faces. Top; Vicki Locatelli, unidentified, Steve Abrahamson, John Pollard, unidentified. Middle; Jacquie Metelica, Mark Alvin, Brian McCue. Bottom; Jackie Odess, Annette Laufe. (Ref. no. car17) Photo by: Gary Cohen
	Summer invasion of visitors, sometimes several hundred a day. Summer of 1970, Warwick. Garden between house and future Dorm. (Ref. no. car18)
	the “PM Tent”. Warwick, summer 1970. This huge plastic tent housed “Prospective Members” who went through a two-week trial period before begin voted on for membership. The PM tent was also notorious for forbidden (and frequent) amorous activity between members and PM’s. (Ref. no. car19)
	Temporary Encampment, Guilford, VT. Summer 1970. Overwhelmed by visitors, long-term members set up a temporary retreat in the wilds of Guilford, near the Johnson’s Pasture commune. (Ref. no. car20)
	Wedding at Warwick, July 1970, Michael playing guitar with Donna Braden (R). (Ref. no. car21)
	“Commune Gothic” Summer 1970. Heidi Bushell and Mike McCarty. (Ref. no. car22)
	The Logging Crew, Winter 1970-71. Carol and Eddie Evans, Mitch Sieser, Greg Fitzgerald, Nate Tilton in back. Crew leader, Geoff, “Gurf” Nuckols in front. (Ref. no. car23)
	Warwick Kitchen, 1972. Meg, “Nutmeg” Rich stirring dinner, probably brown rice, squash or mashed potatoes. (Ref. no. car24)
	Breakfast in Warwick 1971. Mark Alvin (foreground) shares a moment with Rita Raymond. Deborah Starobin looks on. (Ref. no. car25)