W.E.B. Du Bois

Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century.

The Du Bois Papers contain almost 165 linear feet of the personal and professional papers of a remarkable social activist and intellectual. Touching on all aspects of his long life from his childhood during Reconstruction through the end of his life in 1963, the collection reflects the extraordinary breadth of his social and academic commitments from research in sociology to poetry and plays, from organizing for social change to organizing for Black consciousness.

2013

First prize: Ken Lefebvre (2013)

“‘A Wise Conservator’: The Life and Times of Henry Hill Goodell.”

Honorable mention: Daniel Stein (2013)

“David versus the State: Refusal to Serve in the Israeli Defense Forces during the Lebanon War and the First Intifada: 1982-1993.”

2012

First prize: Justine DeCamillis (2012)

“Liminal Space and Identities: The Transitional and Juxtaposition of Opposites within the Prologue, Bisclavret and Lanval of Marie de France’s Lais.”

Honorable mention: Peter Arsenault (2012)

“Poetic Liminality in the Middle Ages: The Case of Thomas Hoccleve.”

2011

First prize: Christopher Russell (2010)

“A Tale of Two Cities: How the Government Caused and Maintained Racial Inequality in Oakland, ca. 1945-1970.”

Honorable mention: Marjorie Connolly (2011)

“Anarchy to Activism: Italian Immigrant Politics During Boston’s Great Molasses Flood.”

Honorable mention: Sarah Goldstein (2012)

“Cambodian Immigration and the Cambodian Crisis Committee”

2010

First prize: Paul Kinsman

“Platonic and Pythagorean Ratios in the Formal Analysis of 15th Century Music”

Honorable mention: Vanessa De Santis

“The Emergence of a Class of Informed, Working Italian Immigrant Women in the Early Twentieth Century“

Honorable mention: Austin Powell

“Woman-As-Witch
An Analysis of Gender in Pre to Early Modern Society

2009

First prize: Name removed upon request

Honorable mention: Amy Couto

“Treaty of Canandaigua: The political necessity of peace

Honorable mention: Phil Jensen

“We are history, we are legend: Perspectives of American volunteers in the Spanish Civil War

Beth Hapgood and members of the Brotherhood, ca.1969

Daughter of a writer and diplomat, and graduate of Wellesley College, Beth Hapgood has been a spiritual seeker for much of her life. Her interests have led her to become an expert in graphology, a student in the Arcane School, an instructor at Greenfield Community College, and a lecturer on a variety of topics in spiritual growth. Beginning in the mid-1960s, Hapgood befriended Michael Metelica, the central figure in the Brotherhood of the Spirit (the largest commune in the eastern states during the early 1970s) as well as Elwood Babbitt, a trance medium, and remained close to both until their deaths.

The Hapgood Papers contain a wealth of material relating to the Brotherhood of the Spirit and the Renaissance Community, Metelica, Babbitt, and other of Hapgood’s varied interests, as well as 4.25 linear feet of material relating to the Hapgood family.

Personal, business, and legal papers of the Howe family of Enfield and Dana, Massachusetts, including correspondence between family members, genealogies, account books and printed materials. Account books record transactions of various family members whose occupations included general storekeeper, minister, printer, postmaster, telephone exchange and gas-station owner, and document the transactions of community businesses and individuals, some of whom were women involved in the beginnings of the local palm leaf hat and mat industry.

A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004.

Consisting primarily of thousands of color slides (most digitized) and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.

Coconut masquerade postcard

Roberta Uno was the founder and long time artistic director of the New WORLD Theater at UMass Amherst, a theater in residence dedicated to the production of works by playwrights of color.

Established by Uno in 1993, the Asian American Women Playwrights Scripts Collection contains manuscripts of plays, but also production histories, reviews, and articles, along with biographies and audio and videotaped interviews with playwrights. Among the individuals represented are Brenda Wong Aoki, Jeannie Barroga, Marina Feleo Gonzales, Jessica Hagedorn, Velina Hasu Houston, Genny Lim, le thi diem thuy, Ling-Ai Li, Victoria Nalani Kneubuhl, Nobuko Miyamoto, Bina Sharif, and Diana Son.

Educator, rhetorician, author, President of the Speech Association of America in 1954, and Professor of Speech at the University of Massachusetts Amherst from 1968-1973.

Includes the accumulated research notes and materials written and used by Wallace in his career as a teacher and author; drafts, reprints, and proofs of his speeches, papers, articles, and books, both published and unpublished, often with accompanying correspondence, research notes, and/or contracts; lecture notes and classroom materials dating from his years as a student through those as a teacher; drafts and reprints of papers and articles by students and colleagues; correspondence; the reports, memoranda, correspondence, resolutions, agenda, notes on meetings, minutes, committee recommendations, position papers, newsletters, audit reports, budget recommendations, membership lists, itineraries, and programs indicative of his leadership and active participation in the Speech Association of America and other professional organizations, conferences, and university committees.

Diana Mara Henry, ca.1985
Photo by Jean Cartier

Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women’s Year and the First National Women’s Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she helped develop the community workshop program and was a leader in a campaign to save the Alice Austin House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives.

The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women’s movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women’s Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry’s photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career. Copyright for Henry’s images are retained by her until 2037.

Kelley raising the flag, Ground Zero, 2001

Owner of the Amherst Athletic Club and columnist for the Amherst Bulletin from 1991 to 2004, Larry Kelley is deeply involved with Amherst area relations and government. He ran for both Select Board and Finance Committee, and was instrumental in raising awareness about and banning the illegal sale of martial arts weapons in Massachusetts.

Included in the Kelley papers are over 100 newspaper clippings, either his editorials, letters to the editor, or guest columns, about issues ranging from the use of town safety services by Amherst College, his objection to the Civil Rights Review Commission’s right to subpoena, his fight to fly commemorative flags in downtown Amherst both on the anniversary of September 11th and on the day Osama bin Laden is captured, to his objection over the Amherst-Pelham Regional High School’s production of Eve Ensler’s The Vagina Monologues.

In the early 1960s the Council for Constitutional Reform, a nonpartisan citizen organization seeking to promote economical and efficient state government, called for a constitutional convention to convene in Massachusetts. The group cited the state’s national reputation for corruption and public immorality as reasons for amending the constitution, while others argued that the state’s problems, primarily governmental waste, a cumbersome state tax structure, and inefficient state agencies, could only be resolved by the legislature and governor. Opponents to the convention argued too that the cost of such a convention, in total more than $2 million, would only increase the financial burden of the state.

Correspondence and position statements arguing both sides of the debate offer insight into the politics of the 1960s as well as the public’s response to the political climate in the Commonwealth. Newspaper clippings trace the movement for constitutional reform from early proposals to the approval of four amendments during the November 1964 election.