Special Collections & University Archives University of Massachusetts Amherst Libraries

Results for: “Katanka, Michael” (79 collections)
SCUA

Katanka, Michael

Katanka-Fraser Political Music Collection, 1885-1975.
10 boxes (7 linear feet).
Call no.: MS 552

The author, publisher, and radical bookseller Michael Katanka (1922-1983) was a staunch Socialist and historian of British labor. Beginning with his 1868: Year of Unions in 1968, Katanka wrote or edited a series of books and articles on Fabianism, satirical caricature, and trade unionism.

The Katanka-Fraser Political Music Collection consists of audio recordings, sheet music, and songbooks of politically-inspired music in a variety of languages. The works range from the English and German Socialist press of the 1880s to the antiwar movement of the 1960s and 1970s, touching upon labor agitation, proletarian songs, student protest, the anti-imperialist and anti-capitalist struggles, the Spanish Civil War, and Communism and Socialism. The collection also includes a few books and sound recordings from the extreme right in Nazi Germany.

Subjects
  • Communists--Music
  • International Workers of the World--Music
  • Political ballads and songs
  • Protest songs
  • Radicalism--Songs and music
  • Socialists--Music
  • Working class--Music
Contributors
  • Fraser, James
  • Katanka, Michael

Bernhard, Michael H.

Michael H. Bernhard Solidarity Collection, ca.1975-1989.
3 boxes (4.5 linear feet).
Call no.: MS 575

A member of the Department of Political Science at Penn State University, Michael Bernhard specializes in the comparative history of institutional change in East Central Europe and the political economy of democratic survival and breakdown. Since receiving his doctorate from Columbia University in 1988, Bernhard has written extensively on various aspects of the democratic transition in Poland and East Germany.

The Bernhard Collection contains photocopies and some original materials of underground publications by the Solidarity Movement in Poland, most of which were crudely published and illegally distributed. The collection also includes a series of posters for Solidarity candidates during the first post-Communist election.

Subjects
  • NSZZ "Solidarność" (Labor organization)
  • Poland--History--1945-
  • Underground press publications--Poland
Contributors
  • Bernhard, Michael H

Cornish, Michael

Association for Gravestone Studies Collection

Michael Cornish Photograph Collection, ca.1975-2005.
20 boxes (20.5 linear feet).
Call no.: PH 035

Henry Messinger, 1686,<br />The Granary, Boston
Henry Messinger, 1686,
The Granary, Boston

Michael Cornish first became interested in gravemarkers while writing a senior thesis at the Massachusetts College of Art, and since that time, he has prepared numerous exhibitions of his photographic work and conducted important research on colonial markers. Widely known for his work on the carver Joseph Barbur of West Medway, Mass., and a group of “tendril carvers” in southeastern Massachusetts, Cornish speaks frequently to historical societies around Massachusetts, delivering slide shows tailored to the particular area. An inventory photographer for the City of Boston’s Historic Burying Ground Initiative, he has also consulted for several towns regarding the preservation and rehabilitation of their burying grounds. As a member of the AGS Board of Directors, Cornish has worked in various capacities and played an active role in organizing and participating in the annual conventions, programs, exhibits, and tours.

The Cornish Collection includes many thousands of photographs and direct rubbings of early New England gravestones, primarily in Massachusetts and Connecticut, focusing on their beauty and artistic merit. Originally inspired by the work of Harriette Merrifield Forbes, and encouraged by Dan and Jessie Farber, Cornish photographed in a variety of formats, including Kodachrome transparencies, black-and-white negatives, and black-and-white prints. The collection also includes research notes relating to his work on Barbur and other stonecarvers.

Subjects
  • Sepulchral monuments--Connecticut
  • Sepulchral monuments--Massachusetts
  • Stone carving--Connecticut
  • Stone carving--Massachusetts
Contributors
  • Association for Gravestone Studies
  • Cornish, Michael
Types of material
  • Photographs

Haley, Michael

Michael Haley Papers, 1968-2003.
18 boxes (27 linear feet).
Call no.: MS 670

Mike Haley
Mike Haley

An actor and motion picture assistant director and producer, Michael Haley was born in Pittsfield, Mass., in 1942. While an undergraduate student at UMass Amherst, Haley became involved in theater, joining the avant garde Buffalo Meat Company that performed original works in Massachusetts and New York City. Following a chance call from a producer looking for local help in 1969, Haley worked on his first film, the low-budget crime drama, Honeymoon Killers. After work on several other film and television productions, Haley was among ten people selected for the Directors Guild of America’s Assistant Directors Training Program. During his forty year career, Haley’s credits have included work with a number of noted directors, including Sidney Lumet, Barry Levinson, and Penny Marshall, and he has enjoyed a particularly long and productive association with Mike Nichols. His films have included The Taking of Pelham One Two Three, The Stepford Wives, Biloxi Blues, True Colors, A League of Their Own, Groundhog Day, Primary Colors, and Closer. He was the recipient of two Humanitas Prizes (for Wit and Angels in America), and among others awards, the Christopher Award (for Wit), the Directors Guild of America award, Producers Guild of America award, and an Emmy (for Angels in America), a Directors Guild of America plaque (Working Girl), and the Berkshire International Film Festival Life-Time Achievement Award. He was named Artist of the Year at UMass and has been selected for a Bateman Fellowship.

Reflecting a diverse career in film, the Haley collection consists of scripts, photographs, memorabilia, and diaries, with a small quantity of notes and correspondence. The scripts, approximately 110 of them, are from films ranging from the Godfather II to Charlie Wilson’s War and Angels in America, may include several drafts. The photographs are both numerous and particularly rich, including some particularly interesting candid shots taken on film sets, as well as official shots taken by photographers such as Mary Ellen Mark.

Subjects
  • Actors
  • Motion picture producers and directors
  • Motion pictures
  • Nichols, Mike
Contributors
  • Haley, Michael
Types of material
  • Photographs
  • Screenplays

Kislo, Michael Z., 1896-1978

Michael Z. Kislo Notebooks, 1954-1974.
3 boxes (1.25 linear feet).
Call no.: MS 246

After emigrating from Dzieciekowo, Poland, Michael Kislo found work in a Northampton basket shop and later as a machinist at International Silver Company. He was a resident of Florence, Mass.

The Kislo collection contains nine volumes of Kislo’s writing (mostly in Polish and thematically religious, patriotic, personal, and autobiographical) and artwork (drawings and paintings with religious allusions, Polish costumes, weapons, imaginary animals and fanciful landscapes).

Subjects
  • Art, Polish--Massachusetts--20th century
  • Florence (Mass.)--Biography
  • Immigrants--Massachusetts--Florence
  • Polish American artists--Massachusetts--Florence
  • Polish Americans--Massachusetts--Florence
  • United States. Federal Bureau of Investigation
Contributors
  • Kislo, Michael Z., 1896-1978
Types of material
  • Diaries
  • Notebooks
  • Watercolors (Paintings)

Lenson, Michael, 1903-1971

Michael Lenson Collection, 1969-1970.
12 items (0.1 linear feet).
Call no.: MS 745

Born in Russia in 1903, the realist painter Michael Lenson emigrated to the United States at the age of eight, and from early in life, took an interest in art. While a student at the National Academy of Design in 1928, Lenson was awarded the Chaloner Paris Prize, enabling him to spend four years of study in Europe and leading to his first three one man shows. With the Great Depression in full effect upon his return to America, he accepted a position as director of mural projects for the Works Progress Administration in New Jersey, through which he built a reputation as one of the most important muralists in the eastern states. Exhibited widely, he was productive as both an artist and critic until his death in 1971. His works are included in the collections of the RISD Museum, the Maier Museum of Art, the Johnson Museum of Art, the Newark Museum, the Montclair Art Museum, and the Wolfsonian Collection, among others.

Consisting of pencil portraits of poets, each approximately 12 x 18″, the Lenson Collection contains twelve late works by Michael Lenson that were included in an exhibition held at the Montclair Art Museum in 1970. The subjects of the portraits include William Blake, Robert Browning, George Gordon Lord Byron, Robert Burns, Geoffrey Chaucer, John Donne, T.S. Eliot, John Keats, John Milton, Sean O’Casey, Alexander Pope, and Percy Bysshe Shelley.

Subjects
  • Blake, William , 1757-1827
  • Browning, Robert, 1812-1889
  • Burns, Robert, 1759-1796
  • Byron, George Gordon Byron, Baron, 1788-1824
  • Chaucer, Geoffrey, d. 1400
  • Donne, John, 1572-1631
  • Eliot, T. S. (Thomas Stearns), 1888-1965
  • Keats, John, 1795-1821
  • Milton, John, 1608-1674
  • O'Casey, Sean, 1880-1964
  • Pope, Alexander, 1688-1744
  • Shelley, Percy Bysshe, 1792-1822
Contributors
  • Lenson, Michael, 1903-1971
Types of material
  • Drawings (Visual works)

2001 Center/Renaissance Community

2001 Center sign painted by Alaina Snipper, 1976 (Ref. no. car93)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. Sponsored by WAAF radio, 3000 people were planned for, 14,000 arrived. Community provided all security, medical, sound personnel, parking, food concessions and cleanup. (Ref. no. car94)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. (Ref. no. car95)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. (Ref. no. car96)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. (Ref. no. car97)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. (Ref. no. car98)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. (Ref. no. car99)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. (Ref. no. car100)
Photo by: Daniel Brown
“Mayday” concert at 2001 Center, Gill, May 1, 1976. (Ref. no. car101)
Photo by: Daniel Brown
God’s Eye weaving by Laura Sieser at the 2001 Center, Gill, 1979. (Ref. no. car102)
Photo by: Daniel Brown
Doug Edson, 2001 Center. Gill, 1979. (Ref. no. car103)
Photo by: Daniel Brown
Beginning construction on Michael’s planned house, 2001 Center, Gill, 1979. (Ref. no. car104)
Photo by: Daniel Brown
The Barn under construction with a planned meeting room upstairs and Community Office downstairs. Gill, 1979. (Ref. no. car105)
Photo by: Daniel Brown
Brian McCue’s house under construction. Gill, 1977. (Ref. no. car106)
Photo by: Daniel Brown
Detail of Brian McCue house construction. Gill, 1978. (Ref. no. car107)
Photo by: Daniel Brown
Work on the Barn with Betsy Sullivan. Gill, 1980. (Ref. no. car108)
Photo by: Daniel Brown
Renaissance Nursery at Northfield House, 1976. Adults are Lois Sellers and Larry Raffel. (Ref. no. car109)
Photo by: Daniel Brown
View of Community garden from tower of Michael’s house. Gill, 1980 (Ref. no. car110)
Photo by: Daniel Brown

2001 Center/Renaissance Community (part 2)

Marilyn Dowling and friends. Gill, 1982. (Ref. no. car111)
Photo by: Daniel Brown
Community Schoolgirls. Swan Keyes, unidentified, Dixie Sellers, Lorelei Jaquay, Elka Holland. Gill, 1981. (Ref. no. car112)
Photo by: Daniel Brown
Community Food Coop with Cheryl Senior. Gill, June, 1979. (Ref. no. car113)
Photo by: Daniel Brown
Mobile Feast food concession at Getting to the Same Place spiritual festival. Chi-Chi Tolda, Deborah Stone, Donna Oehmig, Steve Wolfson in foreground. New Hampshire, May 1979. (Ref. no. car114)
Photo by: Daniel Brown
Silver Screen Design t-shirt concession. Chris Garland and Donna Jagareski. Camelot Festival, 1976. (Ref. no. car115)
Renaissance Rockets baseball team. Back row; Jim Sullivan, Mitch Sieser, David Senior, Randy Kleinrock, Phil Dowling, Kenny Johnson. Bottom row; Jimmy Skiathitis, Marvin Moss, Gary Cohen, Steve Miller, Steve Greenwald, Mark Alvin. Turners Falls, 1979. (Ref. no. car116)
Photo by: Daniel Brown
ICRY [Inner-City Roundtable of Youth] visit. Members flanked by May Ristich and Michael Rapunzel. Gill, 1980. (Ref. no. car117)
Photo by: Daniel Brown
Laurie Cabot, “The Witch of Salem” at the Noble Feast with Robin Paris and May Ristich. Turners Falls, February, 1978. (Ref. no. car118)
Peter Caddy, founder of the Findhorn Community with Michael Rapunzel. Old Stone Lodge, Gill, 1979. (Ref. no. car119)
Peter Caddy giving lecture at the Theater. Turners Falls, 1978 (Ref. no. car120)
Photo by: Daniel Brown
Community morning breakfast at the Noble Feast. David and Donna Jagareski, Mitch Sieser, Guy Pollard, unidentified men at right. Turners Falls, 1977. (Ref. no. car121)
Community dinner at the Noble Feast. John Charmella, Richard “Brau” Safft, Irene, Eleanor, and Alan Berwick. Turners Falls, 1979. (Ref. no. car122)
Photo by: Daniel Brown
Community visit to the “Abode of the Message” center at a time of increased networking between local spiritual communities. Upstate New York, 1989. (Ref. no. car123)
Photo by: Daniel Brown
Morning meditation at the 2001 Center. Gill, 1981. (Ref. no. car124)
Photo by: Daniel Brown
Renaissance Greeting Card. Marilyn Dowling and Melvin Weiner. 1978. (Ref. no. car125)
Country Western outfits popular with Michael’s entourage. Guy Pollard, Doug Edson, Michael Rapunzel, unidentified. Gill, 1979. (Ref. no. car126)
Photo by: Daniel Brown
Renaissance Community group shot. The Barn. Gill, 1981. (Ref. no. car127)
Photo by: Daniel Brown
Saturday Work Day project. Gill, 1983. (Ref. no. car128)
Photo by: Daniel Brown
Planting seeds in Community garden. John Charmella, Robin Paris. Gill, 1980. (Ref. no. car129)
Photo by: Daniel Brown

2001 Center/Renaissance Community (part 3)

Nursery outing; kids with Larry Raffel, November, 1976 (Ref. no. bin257)
House eventually belonging to the Edson family, 1983. (Ref. no. bin258)
Photo by: Daniel Brown
Greenhouse at Brian McCue’s house, June, 1983. (Ref. no. bin259)
Photo by: Daniel Brown
Michael Rapunzel on [unknown] TV talk show, 1977. (Ref. no. bin260)
Photo by: Gary Cohen
Donna Liebmann performing at local festival on land, 1977. (Ref. no. bin261)
Photo by: Daniel Brown
Michael Rapunzel and Steven Greenwald’s house under construction, August, 1979. (Ref. no. bin262)
Photo by: Daniel Brown
Noble Feast interior. Turners Falls, 1978. (Ref. no. bin263)
Photo by: Daniel Brown
Construction detail of Michael’s house, 1980. (Ref. no. bin264)
Photo by: Daniel Brown
Frog Hunters at the swimming hole. Ariel Brown and Zach Vaughn, July, 1983. (Ref. no. bin265)
Photo by: Daniel Brown
Jim Sullivan, 1979. (Ref. no. bin266)
Photo by: Daniel Brown
Noble Feast exterior. Turners Falls, 1977. (Ref. no. bin267)
Photo by: Gary Cohen
Greenhouse interior at Brian McCue’s house. June, 1983. (Ref. no. bin268)
Photo by: Daniel Brown
Long view of the Lodge. June, 1981. (Ref. no. bin269)
Photo by: Daniel Brown
View of the Warwick house. House in rear is on the site of the former Dorm. Warwick, 1988. (Ref. no. bin270)
Photo by: Daniel Brown
Swimming hole at 2001 Center. August, 1982. (Ref. no. bin271)
Photo by: Daniel Brown
Gladiolas in bloom near McCue house. July, 1982. (Ref. no. bin272)
Photo by: Daniel Brown
Frog Hunters in action. Ariel Brown, Crymson Sullivan, Krishna Lennon. May, 1982. (Ref. no. bin273)
Photo by: Daniel Brown
Andrew Bush and friend. June 1983. (Ref. no. bin274)
Photo by: Daniel Brown
Working in the garden between Michael and McCue houses. June, 1982. (Ref. no. bin275)
Photo by: Daniel Brown
McCue’s house. June, 1983. (Ref. no. bin276)
Photo by: Daniel Brown
View of Marilyn Dowling’s garden between Michael and McCue houses. June, 1983 (Ref. no. bin277)
Photo by: Daniel Brown
Renaissance members celebrating at Getting to the Same Place festival. New Hampshire, May, 1979. (Ref. no. bin278)
Photo by: Daniel Brown
ICRY [Inner-City Roundtable of Youth], New York City street gang organization gathering at Lodge, 1981. (Ref. no. bin279)
Photo by: Daniel Brown
Alan Harris in Punk-phase, Marilyn Dowling outside the Barn, 1982. (Ref. no. bin280)
Photo by: Daniel Brown
2001 Center cornfield, 1981. (Ref. no. bin281)
Photo by: Daniel Brown
Frolic by the swimming hole. May, 1982. (Ref. no. bin282)
Photo by: Daniel Brown

2001 Center/Renaissance Community (part 4)

The Lodge, 1982. (Ref. no. bin283)
Photo by: Daniel Brown
McCue house. August, 1983. (Ref. no. bin284)
Photo by: Daniel Brown
Peter and Eileen Caddy, founders of Findhorn Community, with Michael Rapunzel. The Lodge, June, 1976. (Ref. no. bin285)
The Barn, 1981. (Ref. no. bin286)
Photo by: Daniel Brown
Doug Edson, 1979. (Ref. no. bin287)
Photo by: Daniel Brown
Barn construction with Steve Miller, 1980. (Ref. no. bin288)
Photo by: Daniel Brown
Marilyn Dowling working on Michael’s house, 1979. (Ref. no. bin289)
Photo by: Daniel Brown
Woodpile. The Lodge was heated by a wood furnace. May, 1979. (Ref. no. bin290)
Photo by: Daniel Brown
Meeting on the ridge above Lodge. August, 1982. (Ref. no. bin291)
Photo by: Daniel Brown
Pumpkin field below Michael’s house. September, 1981. (Ref. no. bin292)
Photo by: Daniel Brown
Rocket’s Silver Train bus with Justin Jaquay, 1979. (Ref. no. bin293)
McCue house under construction, 1977. (Ref. no. bin294)
Peter Caddy with Michael Rapunzel before lecture in Theater. Turners Falls, 1979. (Ref. no. bin295)
Margie McClure, Ivan Senior, Betsy Sullivan, Karen Barry, 1981. (Ref. no. bin296)
Photo by: Daniel Brown
Mobile Feast food concession at Supersession concert. Renee Fenner, Steve Wolfson. July, 1977 (Ref. no. bin297)
Photo by: Daniel Brown
Evening at the swimming hole, 1982. (Ref. no. bin298)
Photo by: Daniel Brown
Cornfield in bloom, August 1981. (Ref. no. bin299)
Photo by: Daniel Brown
Saturday Work Day project at the Lodge, August, 1982. (Ref. no. bin300)
Photo by: Daniel Brown
Cheryl Termo with kids. June, 1983. (Ref. no. bin301)
Photo by: Daniel Brown
Renaissance Office in Barn with Sandra Jaquay-Wilson. (Ref. no. bin302)
Photo by: Daniel Brown
Tilling the land with Bill Stone on tractor. April, 1983. (Ref. no. bin303)
Photo by: Daniel Brown
Class of 1981. (Ref. no. bin304)
Photo by: Daniel Brown
Garden scene, 1983. (Ref. no. bin305)
Photo by: Daniel Brown
Sunday morning at the Lodge. Debby Stone, Bill and Monica Grabin, 1979. (Ref. no. bin306)
Photo by: Daniel Brown
Barn under construction, 1979. (Ref. no. bin307)
Photo by: Daniel Brown
Renaissance Greeting Cards booth at trade show with Melvin Weiner. New York City, 1979. (Ref. no. bin308)
Photo by: Daniel Brown
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