Special Collections & University Archives University of Massachusetts Amherst Libraries

Photographs (116 collections)
SCUA

Kenseth-Abel, Elaine

Elaine Kenseth-Abel Collection of Photographs of Cambodians in Thailand and Amherst, 1970-1979.
2 boxes (2 linear feet).
Call no.: MS 115

The collection primarily consists of photographs taken by Elaine Kenseth-Abel of Cambodians refugees in Thailand who later relocated to Amherst, Massachusetts during the 1970s-1980s. The collection also includes color prints of drawings by E. Seng Huot depicting Cambodian genocide.

Subjects
  • Cambodia--Photographs
  • Cambodians--Massachusetts--Amherst
  • Refugees--Cambodia
  • Refugees--Thailand
  • Thailand--Photographs
Contributors
  • Huot, E. Seng
  • Kenseth-Abel, Elaine
Types of material
  • Photographs

Khoa, Le Van

Le Van Khoa Vietnam Photograph Collection, Undated.
7 items (0.1 linear feet).
Call no.: MS 170

The collection consists of seven photographs of Vietnam taken by Le Van Khoa.

Subjects
  • Vietnam--Photographs
Contributors
  • Khoa, Le Van

Kingsbury family

Kingsbury Family Papers, 1862-2006 (Bulk: 1881-1902).
10 boxes (6 linear feet).
Call no.: MS 504

Kingsbury children, ca.1910
Kingsbury children, ca.1910

The family of Roxana Kingsbury Gould (nee Weed) farmed the rocky soils of western New England during the late nineteenth century. Roxana’s first husband Ambrose died of dysentery shortly after the Civil War, leaving her to care for their two infant sons, and after marrying her second husband, Lyman Gould, she relocated from southwestern Vermont to Cooleyville and then (ten years later) to Shelburne, Massachusetts. The Goulds added a third son to their family in 1869.

A rich collection of letters and photographs recording the history of the Kingsbury-Gould families of Shelburne, Massachusetts. The bulk of the letters are addressed to Roxana Kingsbury Gould, the strong-willed matriarch at the center of the family, and to her granddaughter, May Kingsbury Phillips, the family’s first historian. In addition to documenting the complicated dynamics of a close-knit family, this collection is a rich source for the study of local history, rural New England, and the social and cultural practices at the end of the 19th and beginning of the 20th centuries.

Subjects
  • Conway (Mass.)--Genealogy
  • Kingsbury Family
  • Shelburne (Mass.)--Genealogy
  • Totman family
Contributors
  • Drew, Raymond Totman, 1923-1981
  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J
Types of material
  • Genealogies
  • Letters (Correspondence)
  • Memoirs
  • Photographs
  • Tintypes

Klaw, Alonzo

Alonzo Klaw Photograph Collection, 1929-1931.
3 boxes (1.5 linear feet).
Call no.: PH 048

New York street scene, ca.1931
New York street scene, ca.1931

A landscape painter and photographer, Alonzo “Lon” Klaw was born in 1885 to Antoinette Morris and Marc Klaw, the attorney, theatrical impresario, and partner in the powerful Broadway production partnership of Klaw and Erlanger. Lon and his wife Alma (Ash) lived on a farm, Almalon, near Carmel, New York, but spent large parts of each year at their home in Santa Barbara, California, traveling frequently to Europe, particularly after his father’s retirement in 1927.

The several hundred photographic prints from Lon Klaw reflect his interests in landscape and travel and the influence on his work of the Photo Secession on his aesthetic. Approximately half of the collection consists of American views, primarily from southern California, depicting bucolic scenery, grazing cattle, and trees, but there are occasional portraits and views of the built environment in California and street scenes from New York. Taken during a European trip in 1929 or 1930, the remainder of the collection includes images of Cannes and Paris. Klaw typically printed each image several times to produce different visual effects.

Subjects
  • California--Photographs
  • Cannes (France)--Photographs
  • Cows--Photographs
  • Paris (France)--Photographs
  • Trees--Photographs
Contributors
  • Klaw, Alonzo
Types of material
  • Photographs

Kleckner, Susan

Susan Kleckner Papers, ca.1970-2010.
65 (ca.100 linear feet).
Call no.: MS 725

Greenham Commons
Greenham Commons

A feminist, filmmaker, photographer, performance artist, writer, and New Yorker, Susan Kleckner helped to define the Feminist Art Movement. Born in 1941, Kleckner was instrumental in uniting Women Artists in Revolution (WAR) with Feminists in the Arts in 1969, and in 1970 she became a founder of the Women’s Interart Center, which still fosters women artists in the performing, visual, and media arts. A talented and prolific visual artist, she produced several important video documentaries during her career, beginning with Three Lives (made in collaboration with Kate Millet in 1970), which is considered the first all-women produced feature documentary. Her work often reflected a feminist commitment to the cause of peace: she participated in and photographed the Greenham Common Women’s Peace Camp in England during the mid-1980s and in 1987, she curated a major year-long installation on Broadway called WindowPeace. A brilliant teacher, Kleckner was the first woman to teach photography at the Pratt Institute and she worked at the International Center for Photography in New York from 1982 until her death in July 2010.

A wide ranging and highly diverse collection, the Kleckner Papers document a life in art and activism. The diaries, letters, notes, and essays in the collection are augmented by hundreds of photographic prints and artwork in a variety of media.

Subjects
  • Antinuclear movements
  • Feminists--New York (State)
  • Greenham Common Women’s Peace Camp
  • Peace movements
  • Performance artists--New York (State)
  • Photographers--New York (State)
  • Women's Interart Center
Contributors
  • Kleckner, Susan
Types of material
  • Drawings (Visual works)
  • Photographs

Knowlton Brothers

Mill River Flood Stereographs, 1874.
19 items (0.25 linear feet).
Call no.: PH 019

Ruins of Stone Bridge, Leeds
Ruins of Stone Bridge, Leeds

The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake.

The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.

Subjects
  • Floods--Massachusetts--Mill River Valley (Hampshire County)--Photographs
  • Haydenville (Mass.)--Photographs
  • Leeds (Mass.)--Photographs
  • Mill River Valley (Hampshire County, Mass.)--Photographs
  • Skinnerville (Mass.)--Photographs
  • Williamsburgh (Mass.)--Photographs
Contributors
  • Knowlton Brothers
  • Moore, F. J.
Types of material
  • Photographs
  • Stereographs

Lesinski-Rusin family

Lesinski-Rusin Family Papers, ca.1910-1925.
2 boxes (1 linear feet).
Call no.: MS 131

The Lesinski and Rusin families represent the average working-class Polish family settled in the Pioneer Valley during the early twentieth century. Numerous family photographs document important occasions for the families, such as baptisms, first communions, and weddings, while photographic postcards and commercial postcards document their relationships, interests, and travel. The collection also includes Polish-language textbooks and a Polish-English dictionary, which suggest that learning English may have been both a challenge as well as a priority.

Subjects
  • Lesinski family
  • Rusin family
Types of material
  • Photographs
  • Postcards
  • Scrapbooks

Lewis, Gertrude Minnie, 1896-

Gertrude M. Lewis Papers, ca.1920-2001.
6 boxes (3 linear feet).
Call no.: FS 096

Gertrude
Gertrude "Jean" Lewis, ca.1935

Overcoming a deeply impoverished childhood, Gertrude Lewis struggled to build a career in education, putting herself through college and graduate school. At the age of 32, she earned a bachelor’s degree from Ohio State, continuing on to a masters degree at New York University (1933), and finally, at age 51, a PhD from Yale (1947). For many years after receiving her doctorate, Lewis was employed as a Specialist for Upper Grades with the U.S. Office of Education in Washington. Among other career highlights, Lewis spent two years in Japan (1950-1951) as a Consultant in Elementary Education in the Education Section of the Allied Occupation government (SCAP). Lewis outlived her life partner, Ruth Totman, dying at home on December 10, 1996, a few months after her one hundredth birthday.

The Lewis Papers document the work and life of an educator of the masses, a traveler of the world, and a woman of the twentieth century. Documents pertaining to her work as an educator of both young students and veteran teachers show the changes within the theory and practice of pedagogy over time, over various geographic locales, and also highlight her role in that change. This collection also documents the numerous on-going side projects on which Lewis worked, including fostering creativity in schoolchildren, a biography of Franklin D. and Eleanor Roosevelt, and her own poetry and prose.

Subjects
  • Education, Elementary--Japan
  • Education, Elementary--United States--History
  • Education--Evaluation
  • Education--United States--History
  • Health Education--United States
  • Japan--Civilization--American influences
  • Students--Health and hygiene
Contributors
  • Lewis, Gertrude Minnie, 1896-
  • Totman, Conrad D
  • Totman, Ruth J
Types of material
  • Motion pictures (Visual work)
  • Photographs

Lewis, Patricia Lee, 1937-

Patricia Lee Lewis Photograph Collection, 1977-1979.
3 boxes (2 linear feet).
Call no.: PH 059

Cotton Mill no. 2, Beijing, 1977
Cotton Mill no. 2, Beijing, 1977

A co-founder of the Valley Women’s Center and the Everywoman’s Center at UMass Amherst, Patricia Lee Lewis has been an important part of the vibrant activist culture in the Pioneer Valley since her graduation from Smith College in 1970, advocating for women, civil rights, peace, the environment, for small farms and rural communities, and for art. Her varied career has included service as Supervisor of Community Development for the Massachusetts Office for Children (1974-1976), as Rural Development Specialist for the Massachusetts Cooperative Extension Service, and as County Commissioner for Hampshire County (1984-1988). After receiving an MFA from Vermont College, she founded Patchwork Farm Writing Retreat in Westhampton in 1992, which offers workshops and retreats in creative writing and yoga.

As a member of a National Women’s Delegation, Lewis visited the People’s Republic of China in 1977. Having been invited by the Chinese Women’s Federation, Lewis and her colleagues toured the country, seeing the sights and examining the role of women, education, and agriculture, visiting Beijing, Shanghai, Nanjing, Tachai, and Guilin. The many hundreds of photographs she took during the tour are a powerful visual record of the country only a few months after the Gage of Four were arrested and the Cultural Revolution declared ended. The collection also includes approximately 100 photographs taken of agriculture and rural life in Louisiana and Texas in 1979.

Subjects
  • China--Photographs
  • Louisiana--Photographs
  • Texas--Photographs
Types of material
  • Photographs

Libera, John

Southbridge Polish American Photograph Collection, 1934-1988.
1 flat box (1 linear feet).
Call no.: MS 048

Photographs from the 1930s of members of local Polish communities in Massachusetts, including images of the Polish Women’s Club, the Polish Tigers, and the Polish Boy Scouts. Also includes photographs, correspondence, and brochures documenting the Festival of American Folklife in Washington, D.C. in 1988.

Subjects
  • Polish Americans--Massachusetts
  • Southbridge (Mass.)
Contributors
  • Libera, John
Types of material
  • Photographs

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