Differences
This shows you the differences between two versions of the page.
| Both sides previous revision Previous revision Next revision | Previous revision Next revision Both sides next revision | ||
|
music_end_processing [2015/05/13 18:36] 127.0.0.1 external edit |
music_end_processing [2019/01/07 17:20] 127.0.0.1 external edit |
||
|---|---|---|---|
| Line 1: | Line 1: | ||
| - | ====== Music End Processing ====== | + | ====== Music End Processing & Linking ====== |
| Anyone doing Music End Processing must be able to read music! | Anyone doing Music End Processing must be able to read music! | ||
| Line 7: | Line 7: | ||
| * Barcode on top left corner. | * Barcode on top left corner. | ||
| - | * Parts in pocket label immediately under the barcode, if the score has a pocket with parts. When printing the spine label, simply make an additional label indicating the number of parts in the pocket (one word per line): //Five parts in pocket// | + | * "Parts in pocket" label directly under the barcode, if the score has a pocket with parts. (When printing the spine label, simply make an additional label indicating the number of parts in the pocket, one word per line: //Five parts in pocket)// |
| * Spine label | * Spine label | ||
| - | ==== Exceptions ==== | + | ===== Inside cover ===== |
| - | * Pamplet Binders (Pam Binds) get stamped with a small //U of Massachusetts Library// rubber stamp on the top right corner of the cover. | + | |
| - | + | ||
| - | * If the text block of score is not wide enough to accommodate a stamp, put a typed //UMass Amherst Library// label on the top right corner of the cover. (These are currently available from Linda Fish.) | + | |
| - | + | ||
| - | ===== Inside cover ===== | + | |
| * //University of Massachusetts Amherst Library// plate belongs in the center of the inside cover. | * //University of Massachusetts Amherst Library// plate belongs in the center of the inside cover. | ||
| ===== Stamps ===== | ===== Stamps ===== | ||
| - | * Like monographs, all scores need to be stamped //U of Massachusetts Library// on the side and top of the text block. Use the largest rubber stamp possible. If the text block of the score is not wide enough to accommodate a stamp, please see instructions under “Cover.” | + | * Like monographs, all scores need to be stamped //U of Massachusetts Library// on the side and top of the text block. Use the largest rubber stamp possible. If the text block of the score is not wide enough to accommodate a stamp, put a typed //UMass Amherst Library// label on the top right corner of the cover. (These are currently available from Linda Fish.) |
| + | |||
| + | **Pamphlet binders** | ||
| + | |||
| + | * Pam Binds get stamped with a small //U of Massachusetts Library// rubber stamp on the top right corner of the cover. | ||
| + | |||
| + | ===== Targets ===== | ||
| - | == Targets: == | ||
| **Bound scores:** | **Bound scores:** | ||
| * Scores bound by ACME do not need targets. | * Scores bound by ACME do not need targets. | ||
| - | * Hardcover volumes bound by the publisher must have targets. | + | * Hardcover volumes bound by the publisher must have targets, but only if a target will not damage the score. |
| **Pam Binds:** | **Pam Binds:** | ||
| Line 35: | Line 36: | ||
| **Spiral/GBC bound scores:** | **Spiral/GBC bound scores:** | ||
| * Do not put targets in spiral/GBC bound scores. | * Do not put targets in spiral/GBC bound scores. | ||
| + | ** | ||
| + | Repairs** | ||
| + | * If a paperback score has gone to the bindery for repair, chances are it already has a barcode, which will remain under the cover after binding. Be sure to cover this old barcode with a blank label, so that the book ends up with only **one** barcode (the new barco====== d====== e). | ||
| - | == Repairs: == | + | ===== Parts: the Science ====== |
| - | * If a paperback score has gone to the bindery for repair, chances are it already has a barcode, which will remain under the cover after binding. Be sure to cover this old barcode with a blank label, so that the book ends up with only **one** barcode (the barcode that will be placed on the newly bound score). | + | |
| - | + | ||
| - | == Parts: the Science == | + | |
| Many scores are published with parts for each instrument. Parts are usually kept in a pocket affixed to the back inside cover. Sometimes, particularly if the parts are thick or numerous, they are housed in a separate pocketbook. | Many scores are published with parts for each instrument. Parts are usually kept in a pocket affixed to the back inside cover. Sometimes, particularly if the parts are thick or numerous, they are housed in a separate pocketbook. | ||
| **Pocketbooks:** | **Pocketbooks:** | ||
| - | * Parts bound in a separate pocketbook will have //Parts// on both the spine label of the pocketbook and on the parts themselves. This will distinguish them from the score itself, which will be next to them on the shelf. For example: //M875.L22 1918 Parts Oboe// | + | * Parts bound in a separate pocketbook should have //Parts// on the spine label (i.e. from the description in the item record) to distinguish it from the score itself, which will be shelved next to it. For example: //M875.L22 1918 Parts// |
| **Cloth covered parts: ** | **Cloth covered parts: ** | ||
| Line 50: | Line 51: | ||
| **Checklist for parts:** | **Checklist for parts:** | ||
| - | As each part is linked to its own item record, every part must have: | + | |
| + | Each part is linked to its own item record, so every part must have: | ||
| * a barcode (ideally in the top left corner) | * a barcode (ideally in the top left corner) | ||
| * a small U of Massachusetts Library stamp (anywhere it fits) | * a small U of Massachusetts Library stamp (anywhere it fits) | ||
| * a call number label that includes the name of the instrument (on the top left under the | * a call number label that includes the name of the instrument (on the top left under the | ||
| - | barcode). | + | barcode). |
| + | ====== Parts: the Art ====== | ||
| - | == Parts: the Art == | ||
| How does one find a place on the page to put a barcode, a call number label and a stamp without covering the music? This is often a challenge. Sometimes creative trimming of the call number label is necessary. | How does one find a place on the page to put a barcode, a call number label and a stamp without covering the music? This is often a challenge. Sometimes creative trimming of the call number label is necessary. | ||
| Line 67: | Line 70: | ||
| * When instruments are followed by numbers, always use the Roman numeral: //Violin II// not //Violin 2.// | * When instruments are followed by numbers, always use the Roman numeral: //Violin II// not //Violin 2.// | ||
| - | * When instruments are followed by **keys,** include the keys only if they are needed to make the instrument unique. For example: if //Trumpet in B// is the only Trumpet part, omit the B-flat. The B-flat is understood. However, if there is also a //Trumpet in C// part, include the keys for both trumpets to differentiate between them. Likewise, if //Horn in F// is the only horn part, the “in F” is superfluous, unless there are horns in other keys. | + | * When instruments are followed by **keys,** include the keys only if they are needed to make the instrument unique. For example: if //Trumpet in B-flat// is the only Trumpet part, omit the B-flat. The B-flat is understood. However, if there is also a //Trumpet in C// part, include the keys for both trumpets to differentiate between them. Likewise, if //Horn in F// is the only horn part, the “in F” is superfluous, unless there are horns in other keys. |
| * When there are **groups of parts** in the same pocket for separate pieces within the score, make each group unique with as few words as possible. For example, a score might have separate parts for each movement: //Scherzo in F, Gigue in A minor, Minuet in G.// Label the parts as follows: //M452.N65 1931 Scherzo Cello, M452.N65 1931 Gigue Cello, M452.N65 1931 Minuet Cello.// | * When there are **groups of parts** in the same pocket for separate pieces within the score, make each group unique with as few words as possible. For example, a score might have separate parts for each movement: //Scherzo in F, Gigue in A minor, Minuet in G.// Label the parts as follows: //M452.N65 1931 Scherzo Cello, M452.N65 1931 Gigue Cello, M452.N65 1931 Minuet Cello.// | ||
| Line 77: | Line 80: | ||
| * When in doubt, ASK! Unusual variations on the above appear regularly to challenge the imagination. | * When in doubt, ASK! Unusual variations on the above appear regularly to challenge the imagination. | ||
| - | == Aleph: == | + | ====== Aleph ====== |
| - | **Scores:** | + | |
| + | **Linking Scores:** | ||
| * Linking a score is mostly just like linking a monograph. The Item Record codes are as follows: //Sublibrary = UMDUB, Collection = UGEN, Material Type = MUSIC// | * Linking a score is mostly just like linking a monograph. The Item Record codes are as follows: //Sublibrary = UMDUB, Collection = UGEN, Material Type = MUSIC// | ||
| Line 92: | Line 96: | ||
| - | == Music monuments == | + | **Music monuments** |
| - | The Music Monuments are a valuable collection of composers’ Complete Works and topical collections of scores issued serially. These volumes have limited circulation, are stored on Floor 3 and have the call number range M2-M3. | + | |
| + | The Music Monuments are a valuable collection of composers’ Complete Works and topical collections of scores issued serially. Though they are shelved on the 6th floor, these volumes have limited circulation, and have the call number range M2-M3. | ||
| - | The Item Record codes are as follows: //Sublibrary = UMMDA, Collection = UMMON, Material Type = MUSIC// | + | The Item Record codes are as follows: //Sublibrary = UMMDA, Collection = UMMON, Material Type = MUSIC, Item status 07// |
| **Linking Scores with Parts** | **Linking Scores with Parts** | ||
| * Link the main volume to its item record. | * Link the main volume to its item record. | ||
| + | |||
| * Put a zero in the Enum Level.1 field, so that it will file before the soon-to-be attached item records for the parts. | * Put a zero in the Enum Level.1 field, so that it will file before the soon-to-be attached item records for the parts. | ||
| + | |||
| * In the 3.General Information (2) tab add the following Circ. Note: | * In the 3.General Information (2) tab add the following Circ. Note: | ||
| PARTS IN POCKET; PLEASE CHECK IN/OUT EACH PART SEPARATELY | PARTS IN POCKET; PLEASE CHECK IN/OUT EACH PART SEPARATELY | ||
| - | * In the 3.General Information (2) tab an Internal Note stating how many and which parts are in the pocket. Include the date as well: | + | |
| - | 5 parts in pocket: Trumpet I-II, Horn, Trombone, Tuba; 4-24-12 | + | * In the 3.General Information (2) tab an Internal Note stating how many and which parts are in the pocket. Include the date and your intials as well: |
| + | 5 parts in pocket: Trumpet I-II, Horn, Trombone, Tuba; 4-24-12, mfl | ||
| + | |||
| * Add an item record for each part, putting the instrument in the Description field. The description should match the label exactly. The parts will file alphabetically below the main record. | * Add an item record for each part, putting the instrument in the Description field. The description should match the label exactly. The parts will file alphabetically below the main record. | ||
