audio_digitization
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audio_digitization [2014/07/03 15:22] 128.119.169.183 [Audio] |
audio_digitization [2020/08/19 16:00] (current) 128.119.168.9 [File Naming] |
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| Generally we will be creating two files: **an archival master** and **an access file**. The archival master should be saved as a **.wav** file and the access copy should be a **.mp3** file. | Generally we will be creating two files: **an archival master** and **an access file**. The archival master should be saved as a **.wav** file and the access copy should be a **.mp3** file. | ||
| - | ===== File Naming ===== | + | ===== File Naming ===== |
| If the files are part of a collection and will end up in Credo, follow this naming convention: | If the files are part of a collection and will end up in Credo, follow this naming convention: | ||
| Line 11: | Line 11: | ||
| * **mums741-b001-i027-001.access** for .mp3 | * **mums741-b001-i027-001.access** for .mp3 | ||
| - | * **mums741-b001-i027-001.archival** for .wav | + | * **mums741-b001-i027-001.archival** for .wav . |
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| - On the Revox, determine whether the original tape is mono/stereo and turn the "mode selector" on the monitor panel to the appropriate position. You can do this by switching between modes and watching the channel monitors. | - On the Revox, determine whether the original tape is mono/stereo and turn the "mode selector" on the monitor panel to the appropriate position. You can do this by switching between modes and watching the channel monitors. | ||
| - Put either Audition or Audacity in monitor or pause mode so that you can preview the tape to adjust your levels in the software. | - Put either Audition or Audacity in monitor or pause mode so that you can preview the tape to adjust your levels in the software. | ||
| - | - If you are lucky, the tape will have tone at the beginning of the tape (many of the broadcast WFCR tapes have this). Use this to set your levels. Watch the meters on the Revox. Adjust the gain nobs on the front of the Scarlett so that the meters in Audacity or Audition approximately match the levels on the Revox. If there is no tone on the tape, you may have to take a few passes to get the levels right. As a rule you don't want to be hitting 0db ("the red") too often. A good motto is: -12db is the place to be. | + | - If you are lucky, the tape will have tone at the beginning of the tape (many of the broadcast WFCR tapes have this). Use this to set your levels. Watch the meters on the Revox. Adjust the gain nobs on the front of the Scarlett so that the meters in Audacity or Audition approximately match the levels on the Revox. If there is no tone on the tape, you may have to take a few passes to get the levels right. As a rule you don't want to be hitting 0db ("the red") too often. A good motto is: -12db is the place to be. The rewind to the beginning. |
| - | - Once you set levels, hit record in Audition or Audacity, then hit play on the Revox. | + | - Once you set levels, hit record in Audition or pause Audacity, then hit play on the Revox. |
| - Once the file has been digitized you can clean it up and make derivatives if appropriate. | - Once the file has been digitized you can clean it up and make derivatives if appropriate. | ||
| - If you think you will need to do further editing on the file, save an Audition or Audacity work file, otherwise the .mp3 and .wav files will be fine. | - If you think you will need to do further editing on the file, save an Audition or Audacity work file, otherwise the .mp3 and .wav files will be fine. | ||
audio_digitization.1404400925.txt.gz · Last modified: 2019/11/19 18:47 (external edit)
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